Fall 2015

Course System Home Course Listing Fall 2015

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Showing 25 Results of 287

Chocolat — FRE4223.01

Instructor: Noelle Rouxel-Cubberly
Days & Time: TBA
Credits: 4
Introduced in France after a complex trajectory from the New World, chocolate constituted, when it arrived in Paris, a medical and cultural catalyst on French seventeenth-century aristocracy and haute-bourgeoisie. In this course, students will explore the economic, historical, social, political, artistic and cultural legacy of chocolate production and consumption in French

Choice and Consequence: Alternative History — DRA2277.01

Instructor: Sherry Kramer
Days & Time: TBA
Credits: 4
鈥淭he theater is the place where we learn how to be. At its best, it is a rehearsal for the great moments of our life, including our happinesses. Love, death, we see it on stage and it prepares us for our life.鈥 鈥擩ohn Guare A play is a metaphoric and empathic art form that seduces us into imaginatively making choices and suffering consequences along with the characters on stage

Christians, Muslims, and Jews in Medieval Spain — HIS2143.01

Instructor: Stephen Higa
Days & Time: TBA
Credits: 4
In the Middle Ages, the Iberian peninsula was a fascinating confluence of Christian, Muslim, and Jewish cultures.  At times antagonistic, at times cooperative, at times positively cozy, the chemistry between these three cultures was red-hot, gorgeous, and endlessly creative.  In this course, we will use a variety of primary sources to examine the development

Chromophilia: Explorations in Color — VA4215.01

Instructor: Ann Pibal
Days & Time: TBA
Credits: 4
Chromophilia, a term coined by contemporary aesthetic philosopher David Batchelor, refers to intense passion and love for color. What is it about color that has the power to induce reverie, and conversely to manipulate, or disgust? How de we understand and respond to color from philosophical, phenomenological, and cultural vantage points? How as artists can we become the master

Civil Society in Conflict Resolution — POL4248.01

Instructor: Rotimi Suberu
Days & Time: TBA
Credits: 2
Civil society or the arena of autonomous associational organization and activity has been credited with promoting various virtuous outcomes, including democratization, development, and social peace. This course critically surveys civil societies鈥 roles in peacemaking and peace building. It will explore theoretical controversies on the nature and roles of civil society as well

Clarinet — MIN4223.01

Instructor: Bruce Williamson
Days & Time: TBA
Credits: 2
Study of clarinet technique and repertoire with an emphasis on tone production, dexterity, reading skills, and improvisation. This course is for intermediate-advanced students only. Co-requisite: Must participate in Music Workshop (Tuesdays, 6:30-8pm).

Clay Formulation — CANCELLED

Instructor: David Katz
Days & Time: TBA
Credits: 2
In this course students will gain a fundamental understanding of the basic ceramic materials and their uses in the formulation of clay recipes and slip surfaces. Through a combination of lecture and hands-on experimentation students will investigate the raw materials that serve as components of clay and the role each plays in the formulation of this plastic material.

Cognition: How People Think — PSY2208.01

Instructor: Harlan Fichtenholtz
Days & Time: TBA
Credits: 4
This course is intended to provide students with an overview of cognition. We will study various cognitive processes and principles and actively observe them in ourselves and in others. How do we pay attention to and perceive the outside world? How do we remember our experiences? How do we learn, communicate, solve problems, and make judgments? We will address such questions

Composing with Sound — MUS2254.01

Instructor: Sam Pluta
Days & Time: TBA
Credits: 4
This class presents an open environment for creativity and expression through electronic music composition. Students will create music with sounds recorded in the real world, while studying electronic music techniques from the rich experimental and popular traditions of the past half century. We will cover the theory and practice of digital signal processing for audio and

Conflict Resolution: Theory Practice — MED2116.01

Instructor: Michael M. Cohen
Days & Time: TBA
Credits: 2
This course will present an interdisciplinary approach to the theory of conflict resolution. Theories of conflict resolution will be introduced and then explored through a number of different prisms. These will include the macro issues of the nature of peace, the environment, the media, Pax Europa, NGOs, as well as the role of religion and the Bible. There will also be a focus

Crafting a Foreign Policy Agenda: The case of US-India relations — MOD2157.03

Instructor: Mariko Silver
Days & Time: TBA
Credits: 1
This summer and into the fall President Silver served on a CFR Task Force on the future of U.S. relations with India. The group is comprised of people with academic, business, and policy making expertise and is tasked with making a set of policy recommendations regarding United States Government relations with India. This course will explore the components of a U.S. foreign

Cultural Identity in Modern Italian Novel (in English Translation) — ITA2115.01

Instructor: Barbara Alfano
Days & Time: TBA
Credits: 4
How is Italy, and its cultures, reflected in its literature? How have Italian writers positioned themselves vis 脿 vis the history of their country? How much of it all can we grasp in translation?  These are some of the questions that will guide us in our exploration of Modern Italian fiction. We will read in English a few Italian masterpieces that went on to win

Culture, Conflict, and Memory in Southeast Asia — ANT2122.01

Instructor: Timothy Karis
Days & Time: TBA
Credits: 4
Southeast Asia is a region with rich cultural diversity as well as an eventful political-economic history over the past century, its residents experiencing European colonialism, protracted wars, and tumultuous experiments with communism. Targeting the tensions and conflicts that have accompanied nation-building in Southeast Asia, this course uses ethnography, film, and

Dance Improvisation Ensemble — DAN4311.01

Instructor: Terry Creach
Days & Time: TBA
Credits: 1
***TIME CHANGE*** The goal of this class is to develop and extend both solo and ensemble improvisational practices.  Working toward the performance of improvisation, we will determine appropriate settings and situations to extend our research outside the classroom. We鈥檒l research the roots of improvisation in performance starting with the Judson Dance Theater, and look

Designing "Daughters of Io" — DRA4118.01

Instructor: Charles Schoonmaker
Days & Time: TBA
Credits: 4
This is a production class that will be centered on designing the costumes for "Daughters of Io" a new play by Quincy Long, directed by faculty member Kathleen Dimmick.  Students will work on the design elements of the costumes and the realization of the costume design. Activities will include conception, rendering, sourcing, shopping, fitting and working closely with the

Designing a Light Plot — DRA2235.02

Instructor: Michael Giannitti
Days & Time: TBA
Credits: 2
As a follow-up to the course Working With Light, students in this class will learn how to integrate lighting design ideas with the parameters found in theater spaces, as well as deal with the challenges of scenery and performance of lighting equipment. Design drafting will be emphasized in this course. In one major project, students will synthesize and apply material covered to

Dickens鈥 鈥淎 Christmas Carol鈥 and Public Action — MOD2136.04

Instructor: Brooke Allen; Alison Dennis
Days & Time: TBA
Credits: 1
Since its publication in 1843, Charles Dickens鈥 allegorical tale about a miserly businessman has never gone out of print. While the novella鈥檚 holiday-themed story is widely known, a close reading of the original text reveals sharp criticism of industrial capitalism and its devastating impact on social welfare. In this module we will read A Christmas Carol aloud together and

Differential Equations and Dynamical Systems — MAT4108.01

Instructor: Kathryn Montovan
Days & Time: TBA
Credits: 4
Differential equations are the most powerful and most pervasive mathematical tool in the sciences and are fundamental in pure mathematics as well. Almost every system whose components interact continuously over time can be modeled by a differential equation, for example: planets, stars, fluids, electric circuits, predator and prey populations, epidemics, and economics. We will

Digital Morphology/Rhino 3D Modeling — VA2208.02; second seven weeks

Instructor: Michael Stradley
Days & Time: TBA
Credits: 2
Digital Morphology is a foundation course in Rhinoceros modeling software. Rhinoceros is an industry standard 3D modelling program used by architects, designers, and artists. This course will cover a range of digital techniques from basic 2D drawing to complex NURBS surface modelling. Across several small projects that focus on exotic form, generative diagramming, and rapid

Digital Morphology/Rhino 3D Modeling — VA2208.01

Instructor: Michael Stradley
Days & Time: TBA
Credits: 2
Digital Morphology is a foundation course in Rhinoceros modeling software. Rhinoceros is an industry standard 3D modelling program used by architects, designers, and artists. This course will cover a range of digital techniques from basic 2D drawing to complex NURBS surface modelling. Across several small projects that focus on exotic form, generative diagramming, and rapid

Directing II — DRA4376.01

Instructor: Kirk Jackson
Days & Time: TBA
Credits: 4
We will address the process of discerning a text's dramatic potential and realizing that potential in performance by developing and implementing a director's approach through analysis and rehearsal techniques. The term is divided between exercises and rehearsal of individual projects. The work of the course will culminate in a director's approach essay, a rehearsal log, and an

Drawing Excess: the Low Pleasures of Decoration — DRW4260.01

Instructor: Josh Blackwell
Days & Time: TBA
Credits: 4
鈥淭he modern man who tattoos himself is either a criminal or a degenerate.鈥 鈥擜dolf Loos, Ornament and Crime To decorate is to adorn, embellish, ornament, trim, garnish, furnish, enhance, grace, brighten, festoon, burnish, gild, bedazzle or prettify. This studio course will consider the charged relationship between modernism and ornament, exploring decoration as a formal,

Ecological Research: Taconic Landscape — BIO4107.01

Instructor: Kerry Woods
Days & Time: TBA
Credits: 4
An advanced, research-driven course in ecology, focusing on the the communities and landscapes of  the Taconics Mountains surrounding Bennington.  The course will revolve around reading and discussion of the primary literature and the development and implementation of individual and group research projects.  Students will learn both field techniques and

Economics of Growth and Technological Change — PEC4123.01

Instructor: Mohammad Moeini Feizabadi
Days & Time: TBA
Credits: 4
This course explores the tendencies and causes of economic growth in capitalism, with a focus on the role of technology. Students will investigate a variety of ways of understanding technology鈥檚 relation to economic growth, notable among these being four major paradigms and traditions in economic theory: Neoclassical, Schumpeterian, Endogenous Growth, and Marxian. Examining

Edo to Meiji: Isolation to Modernization — JPN4168.01

Instructor: Ikuko Yoshida
Days & Time: TBA
Credits: 4
During the Edo period (1600-1867), Japan closed its doors to other countries for about two hundred fifty years, and this isolation helped Japan develop its own unique culture. However, it ended in 1867 when Japanese culture was introduced to the Western world at an International Exposition in Paris. Contrary to the Edo period, the next era鈥攖he Meiji鈥攂rought rapid westernization