Fall 2018

Course System Home Course Listing Fall 2018

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Showing 25 Results of 262

Art of Resistance: The 51成人猎奇 Poster Project (part 1) — VA2118.02

Instructor: Ann Pibal
Days & Time:
Credits: 2
This course will provide a collaborative site for the production of distributable protest and resistance imagery, as well as a shared investigation into the rich international history of political posters and related ephemera. Students will be provided structure both in which to work together on research, and on the design, production, and distribution of imagery. Discussion

Art of the Islamic World — AH2123.01

Instructor: Razan Francis
Days & Time:
Credits: 4
This course is an introduction to the art of the Islamic world from the late seventh century to the present, covering a geography that extends from Central and South Asia to North Africa and Spain. Focusing on objects of different materials (e.g., mosaics, textiles, metalwork, painting, sculpture, wood, ivory carvings, illuminated manuscripts, and glassware), we will pay

Artist's Portfolio — DAN4366.01

Instructor: Dana Reitz
Days & Time:
Credits: 2
Explaining artwork often goes against the grain, yet artists are regularly called upon to articulate their processes, tools, and dynamics of collaboration. To help secure any of the myriad forms of institutional support including funding, venues, and engagements, artists must develop鈥揷reatively and flexibly鈥揺ssential skills. Finding a public language for what is the private

Audiovisual Performance — MPF4229.01

Instructor: Senem Pirler
Days & Time:
Credits: 2
In this course, we will explore various forms of emerging practices in audiovisual media such as visual music, VJing, video/audio mashups, live Foley for video and movement. The readings and discussions will give an introduction the audiovisual performance practice as well as the history of early audiovisual tools, theories on audiovisual perception, and aesthetics of collage.

Banjo — MIN2215.01

Instructor: John Kirk
Days & Time:
Credits: 2
Beginning, intermediate, or advanced group lessons on the 5-string banjo in the claw-hammer/frailing style. Student will learn to play using simple song sheets with chords, tablature, and standard notation. Using chord theory and scale work, personal music-making skills will be enhanced. Awareness of traditional styles of playing the instrument will be furthered through a

Bass Intensive — MIN4026.01

Instructor: Michael Bisio
Days & Time:
Credits: 2
Advanced studies in theory relating to performance. This class is only for advanced students and by permission of instructor. Co-requisite: students must be enrolled in MIN4417 simultaneously, no exceptions.

Beginning Cello — MIN2354.01

Instructor: Nathaniel Parke
Days & Time:
Credits: 2
The basics of cello. In a small group, students will learn how to play the instrument of their choice, with an emphasis on a group performance at the term's conclusion. Corequisites: Must attend and participate in Music Workshop (Tuesday, 6:30 - 8pm).

Beginning Composing — MCO4120.01

Instructor: Allen Shawn
Days & Time:
Credits: 4
This class explores and reviews notation and the rudiments of music through the act of composing small pieces for a variety of instruments. It is intended for students who have taken instrumental lessons for a few years or more and who can read music in at least one clef. It is meant for those who have never imagined composing music as well as for those who have already begun

Beginning Guitar — MIN2247.02, section 2

Instructor: Hui Cox
Days & Time:
Credits: 2
Introduces the fundamentals of acoustic guitar playing, including hand positions, tuning, reading music, major and pentatonic scales, major, minor, and seventh chords, chord progressions, blues progressions, and simple arrangements of songs. Corequisite: Must participate in Music Workshop (Tuesday, 6:30 鈥 8pm).

Beginning Guitar — MIN2247.01, section 1

Instructor: Hui Cox
Days & Time:
Credits: 2
Introduces the fundamentals of acoustic guitar playing, including hand positions, tuning, reading music, major and pentatonic scales, major, minor, and seventh chords, chord progressions, blues progressions, and simple arrangements of songs.

Beginning Guitar — MIN2247.03, section 3

Instructor: Hui Cox
Days & Time:
Credits: 2
Introduces the fundamentals of acoustic guitar playing, including hand positions, tuning, reading music, major and pentatonic scales, major, minor, and seventh chords, chord progressions, blues progressions, and simple arrangements of songs. Corequisite: Must participate in Music Workshop (Tuesday, 6:30 鈥 8pm).

Beginning Violin/Viola — MIN2241.01

Instructor: Kaori Washiyama
Days & Time:
Credits: 2
Basic techniques will include the reading of music in either treble/or alto clefs in the easy keys. Basic hand positions and appropriate fingerings will be shown, and a rudimentary facility with bow will be developed in order that all students may participate in simple ensemble performance by the end of term. Student must arrange for the use of a college instrument, if needed

Bennington Biodiversity Project — BIO4303.01

Instructor: Kerry Woods
Days & Time:
Credits: 2
An All-Taxa Biodiversity Inventory (ATBI) is an effort to compile the full list of species of all taxa present in some area on the planet. No ATBI has ever been (or ever will be?) completed, but this class is an ongoing effort towards a working ATBI for the 51成人猎奇 campus (which is unusually diverse for its area). Past terms have addressed fungi, various invertebrate

Bennington County Choral Society - Bach and Haydn — MPF2164.01

Instructor: Kerry Ryer-Parke
Days & Time:
Credits: 1
The Bennington County Choral Society is a community chorus conducted by Cailin Marcel Manson. The Choral Society promotes choral singing by presenting several concerts per year, and eagerly invites student participation. Auditions are not required, and singers of all levels and abilities are welcomed. To receive credit, students must attend all rehearsals and performances.

Bernstein Seminar — MTH4129.01

Instructor: Allen Shawn
Days & Time:
Credits: 2
In this seven-week seminar we will make a study of selected musical works by Leonard Bernstein (1918-1990), including his Violin Sonata, West Side Story, Symphony No. 2 (鈥淎ge of Anxiety鈥), Chichester Psalms, and the opera 鈥淎 Quiet Place鈥. Class time will be divided between music analysis and an attempt to contextualize these works within Bernstein鈥檚 musical times and in terms

Biogeography, Paleoecology, and Human Origins — BIO4317.01

Instructor: Kerry Woods
Days & Time:
Credits: 4
We explore ecological and evolutionary patterns in broadest spatial and temporal perspective 鈥 鈥渂ig picture鈥 biology. Our general questions are: What shapes patterns in the ranges and distributions of organisms and in overall biodiversity? How do ecological systems respond to long-term and large-scale changes in environment (glaciation, global climate change, plate tectonics,

Black Queer Writing and Theoretical Approaches — LIT2327.01

Instructor: Phillip B. Williams
Days & Time:
Credits: 4
This class serves an introduction to Black queer writing and the theories that feed into and are inspired from said writing. We will read poetry, fiction, and essays by writers who revolutionized and made possible Black queer expression in the United States. What is the necessary vocabulary for Black writers left out of white academic and creative circles? When white gender and

Calculus A — MAT4133.01

Instructor: Andrew McIntyre
Days & Time:
Credits: 4
This course covers the breadth of university calculus: differentiation, integration, infinite series, and ordinary differential equations. It focuses on concepts and interconnections. The sequel course, Calculus B, focuses on techniques and applications, putting the concepts from Calculus A into practice. This is an advanced course; Calculus AP or IB are not sufficient

Cello — MIN4355.01

Instructor: Nathaniel Parke
Days & Time:
Credits: 2
Studio instruction in cello. There will be an emphasis on creating and working towards an end-of-term project for each student. Students must have had at least three years of cello study. Corequisites: Music Workshop attendance 7 times per term. Auditions will take place Monday, May 14 from 9:45am - 11:15am in Jennings 214.

Chemistry 1: Chemical Principles (with Lab) — CHE2211.01

Instructor: Amber Hancock
Days & Time:
Credits: 4
This course is the first of a four-course chemistry sequence covering general, organic and biochemistry. Students do not need to take the entire sequence. We will focus on introductory chemical principles, including atomic theory, classical and quantum bonding concepts, molecular structure, organic functional groups, and the relationship between structure and properties. The

Chemistry 3: Organic Reactions and Mechanisms (with lab) — CHE4213.01

Instructor: Janet Foley
Days & Time:
Credits: 4
Chemistry 3 focuses on how reactions happen: what the steps are, how we discover them, and how we use this to look at some practical systems: the synthesis of a drug, the kinetics of substitution. Emphasis will be on mastering general principles of chemistry such as nucleophiles and electrophiles, molecular orbital concepts, thermodynamics and kinetics in order to guide an

Chinese Zen (Chan) — CHI4323.01

Instructor: Ginger Lin
Days & Time:
Credits: 4
Although it was born in India, Buddhism has had a deep and profound influence on Chinese and East Asian culture, but this philosophy remains relevant to modern life in both the East and West. Students will be introduced to the spirit of Buddhism through modern Mandarin interpretations of classic Chinese Buddhist poems and stories. Students will explore Chinese Buddhist concepts

Chocolat — FRE4493.01

Instructor: No毛lle Rouxel-Cubberly
Days & Time:
Credits: 4
Introduced in France after a complex trajectory from the 鈥淣ew World鈥, chocolate constituted, when it arrived in Paris, a medical, social, and cultural catalyst on French seventeenth-century aristocracy and haute-bourgeoisie. In this course, students will explore the economic, historical, social, political, artistic and cultural legacy of chocolate production and consumption in

Choice and Consequence: Alternative History — DRA2277.01

Instructor: Sherry Kramer
Days & Time:
Credits: 4
The theater is the place where we learn how to be. At its best, it is a rehearsal for the great moments of our life, including our happinesses. Love, death, we see it on stage and it prepares us for our life.鈥 鈥擩ohn Guare A play is a metaphoric and empathic art form that seduces us into imaginatively making choices and suffering consequences along with the characters on stage.