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Beat By Beat Script Interpretation: Pulitzer Version — DRA4192.01

Instructor: Dina Janis
Days & Time: TU 2:10pm-5:50pm
Credits: 4

Students in this class will read a weekly selection of Pulitzer Prize winning plays and be required to analyze and explore these plays beat by beat in class discussion and weekly critical writing exercises. This is an in-depth script interpretation class in which theme, dramatic structure, arc, character development, tone, style and extensive study of the given playwrights and their influences will be explored in detail and in a way that centers the questions one would need to interrogate in order to bring these diverse and extraordinary pieces of work to life.

Reading and Writing Nonfiction: The Interrotronic Essay: Films of Errol Morris — LIT4609.01

Instructor: Jenny Boully
Days & Time: TU 2:10pm-5:50pm
Credits: 4

Errol Morris is a filmmaker who is obsessed with his obsessions: his cinematic essays veer towards subjects who themselves are consumed by their own fanaticism. In this class, we will study several films and series that center on what others may simply refer to as 鈥渆ccentrics,鈥 subjects who, despite knowing that their obsessions may ultimately lead to devastation, continue nonetheless to pursue their fixations. Through viewing such works as Gates of Heaven, Tabloid, First Person, Vernon, Florida, Mr.

The Jazz Age Revisited — LIT2304.01

Instructor: Ben Anastas
Days & Time: M/W 8:00AM-9:50AM
Credits: 4

鈥淚t was an age of miracles, it was an age of art, it was an age of excess, and it was an age of satire,鈥 F. Scott Fitzgerald wrote in his epitaph to the Jazz Age in 1931. It was something else too: a social and literary revolution fueled by new communications technology, mass popular entertainment, Jazz and the Blues, and a bold 鈥渃ollaborative energy鈥 (Ann Douglas) between the Black artists of the Harlem Renaissance and the predominantly white figures who were grouped together as the Lost Generation.

Lives of Quiet Desperation: the Transcendentalists vs. America — LIT2420.01

Instructor: Ben Anastas
Days & Time: M/Tu 7:00PM-8:50PM
Credits: 4

In this course we will undertake a comprehensive survey of American Transcendentalism through a close examination of the major writings from this tumultuous period. We will read the major figures (Ralph Waldo Emerson, Margaret Fuller, Henry David Thoreau), as well as a host of lesser known members of the Transcendental Club (Orestes Brownson, Ellery Channing, poet Jones Very). We will also read some of the most withering critiques that the movement inspired, including Nathaniel Hawthorne鈥檚 satiric novel of the Utopian Brook Farm community, The Blithedale Romance.