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Historical and Natural Alternative Processes in Photography — PHO4132.01

Instructor: Eddy Aldana
Days & Time: FR 2:10pm-4:00pm
Credits: 2

This 2-credit course will explore working with classical and natural alternative processes including Cyanotypes, Anthotypes, and Chlorophyll prints among others. Students will learn the histories of each process and see how artists are working with those processes in today鈥檚 day and age. The Cyanotypes will be produced on fine art paper and fabric, and the Anthotypes will be produced with a variety of fruits, vegetables, and plants.

Nonlinear Dynamical Systems — MAT4127.01

Instructor: Katie Montovan
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

Differential equations are a powerful and pervasive mathematical tool in the sciences and are fundamental in pure mathematics as well. Almost every system whose components interact continuously over time can be modeled by a differential equation, and differential equation models and analyses of these systems are common in the literature in many fields including physics, ecology, biology, astronomy, and economics.

Child Development — PSY2212.01

Instructor: Emily Waterman
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

It is trite but true: kids grow up so fast. In this course we will discuss the incredible growth of infants, toddlers, and children in multiple domains (physical, cognitive, emotional/social). We will discover how growth in each domain affects the others. We will explore enduring topics of discourse in child development, such as nature and nurture, individual differences, and the nature of change.

Environmental Geology — ES2102.01

Instructor: Tim Schroeder
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

Earth使s life鈥恠upporting environmental systems are controlled by a complex interplay between geologic and biological processes acting both on the surface and deep within the planetary interior. This course will explore how earth materials and physical processes contribute to a healthy environment, and how humans impact geologic processes. Topics covered will include: earth resources, natural hazards, water resources and pollution, soil formation and depletion, coastal processes, energy resources, and climate change.

The Actor's Instrument — DRA2170.02, section 2

Instructor: Shawtane Bowen
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

Acting is the art of bringing text to life with heart, soul, and skill鈥攁nd in this course, we鈥檒l train your voice, body, mind, and spirit to do just that!

In a fun and supportive space, we鈥檒l dive into the building blocks of actor training, pushing our creativity to build dynamic, three-dimensional characters ready for the stage.

Through scene work, improv, readings, and engaging exercises, we鈥檒l tap into your unique experiences to strengthen your craft and bring your performances to life. Let鈥檚 play, explore, and grow together!

Lowell, Plath, and After — LIT2575.01

Instructor: Michael Dumanis
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

This seminar will study the mid-20th century revolution in poetic style and content known as "confessional poetry," a school of poetry that gave voice to the private and personal, highlighting extreme autobiographical experience, as well as subjects that were previously seen as improper or taboo, including mental health, sexuality, suicidal ideation, trauma, menstruation, abortion, postpartum depression, divorce, family dysfunction, rage, and despair.

Vampire as Cultural Critic — CUR4401.01

Instructor: Anne Thompson
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

This seminar explores the cinematic vampire as a symbolic curator, critic, and connoisseur, one who collects, consumes, and reflects cultural concerns. Through films paired with philosophical and critical texts, we examine how vampires serve as mirrors, archivists, aesthetes, and subversive observers and how filmmakers stylistically foreground or reframe aspects of the vampire mythos.

Global Environmental Politics — POL2108.01

Instructor: John Hultgren
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

Contemporary efforts to confront our most pressing ecological problems are characterized by a tension between the global realities of these problems and the territorial borders and logics that define sovereign nation-states. This course will explore this tension in three parts. First, we will engage with a variety of theoretical and conceptual debates introduced by scholars of global environmental politics 鈥 a heterodox field that draws insights from international relations theory, international political economy, ecological economics, and environmental sociology (among others).

Dynamic Anatomy — DAN2359.01

Instructor: Martin Landz
Days & Time: MO,TH 10:00am-11:50am
Credits: 2

This course creates a space for the study of anatomy and its application to movement techniques. Centered in the bone structure, psoas, and breathing exercises, this work examines different sections of the skeleton such as the pelvis, legs, spine, and shoulder girdle. We will also address the psoas muscle as the pillar(s) of the body connecting our lower and upper halves.

Intermediate Voice — MVO4301.03, section 3

Instructor: Virginia Kelsey
Days & Time: MO 3:40pm-5:30pm
Credits: 2

For students with some prior singing experience. This class is designed to refine awareness and coordination of the mind and body and develop a reliable vocal technique applicable to all styles of singing and speaking performance.  

Teaching Languages and Cultures — CSL2000.01

Instructor: No毛lle Rouxel-Cubberly
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

The study of foreign languages and cultures is a crucial asset. For some, it is a life-saving necessity. For others it represents a powerful tool in a toolkit for antiracism, social justice, and intercultural understanding. In this course, students will gain a basic understanding of language and culture teaching to young children and adults. Discussions with local teachers and language acquisition experts will provide a professional perspective on the course content.

The Scriptorium: Found Families — WRI2165.01

Instructor: Alex Creighton
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

The Scriptorium, a 鈥減lace for writing,鈥 is a class for writers interested in improving their critical essay-writing skills. We will read to write and write to read. Much of our time will be occupied with writing and revising鈥essai means 鈥渢rial鈥 or 鈥渁ttempt鈥濃攁s we work to create new habits and productive strategies for analytical writing.

Intro to 16mm — FV2312.01

Instructor: John Crowe
Days & Time: FR 2:10pm-4:00pm
Credits: 2

An introduction to 16mm film techniques, students will shoot and edit analog 16mm film, develop by hand and finally will transfer film to video. Through screenings, experiments and hands-on workshops students will learn about cinematography and the photochemical process. Taking advantage of the special tactile, tangible nature of analog film, material properties will also be explored- direct tactile methods such as loops, paint/scratch on film and laser etching.

Mad Props: Theatrical Property Design and Construction — DRA2312.01

Instructor: Seancolin Hankins
Days & Time: FR 2:10pm-4:00pm
Credits: 2

An exercise in planning, communication, creativity and resourcefulness, property design applies to film, television, and theatrical production. This course will look at theatrical props and set dressing from a property designer鈥檚 perspective. Starting with a script, we will uncover the questions you didn鈥檛 know needed answering in order to comprehensively produce or curate props that are functional, period appropriate, and successfully contribute to a production.

Studio Practice — DAN4832B.03, section 3

Instructor: Faculty TBA
Days & Time: MO,TH 10:00am-11:50am
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice — DAN4832B.04, section 4

Instructor: Faculty TBA
Days & Time: MO,TH 10:00am-11:50am
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Special Projects in Spanish — SPA4812.01

Instructor: Jonathan Pitcher
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

In lieu of more conventional advanced Spanish classes, paralleling a series of often disparate tutorials, with tutees working in relative isolation, the proposal is to allow students free reign over an idea for a final, term-long project, while concurrently offering them an educated, exoteric audience to assist in fleshing out their work. Faculty will provide key secondary and tertiary reading, common to all, some with immediate relevance to the projects in question, some deemed necessary for any culminating work, but the primary content of these sessions will be student-driven.