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Animation One – animating inanimate objects — MA2109.01

Instructor: Sue Rees
Days & Time: WE 8:30am-12:10pm
Credits: 4

The class will be concerned with animating inanimate objects by primarily stop motion.  Locations will be constructed, objects to animated formed, and lighting explored in order to create the imaginary world. A variety of filmmakers and techniques will be looked at during the course of the semester, with individual research undertaken and presented.  Students will be expected to produce a variety of short projects over the first seven weeks based on current affairs and future worlds, followed by a longer more sustained project.

Piano Lab I — MIN2249.01, section 1

Instructor: Benjamin April
Days & Time: TH 1:40pm-3:30pm
Credits: 2

Piano Lab I aims to introduce the piano to first-time musicians or first-time pianists. Over the course of the semester, basics in music theory, piano technique, and note reading will be taught, culminating in an end-of-term recital. Please note that this course is meant for beginners, not advanced pianists.

Form and Process: Introduction to Painting — PAI2107.01

Instructor: Ann Pibal
Days & Time: WE 8:30am-12:10pm
Credits: 4

This course introduces a variety of materials, techniques and approaches to working with oil paint. Emphasis is placed on developing and understanding of color, form and space as well as individual research and conceptual concerns. The daily experience of seeing, along with examples from art history and contemporary art, provide a base from which investigations are made. Formal, poetic, and social implications within paintings both from class and from a wide-ranging selection of practicing artists are examined and discussed. Students complete work weekly.

The Social Life of Photographs — PHO4133.01

Instructor: Liz White
Days & Time: WE 8:30am-12:10pm
Credits: 4

This studio/ seminar invites students to engage both creatively and critically, by making work and through readings and discussions. Throughout the course, students will consider the social life of photographs, with particular emphasis on past and present ways of making and sharing vernacular images.