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Mimi Onuoha is a Brooklyn-based artist and researcher examining the implications of data collection and computational categorization. Her work uses code, writing, and objects to explore missing data and the ways in which people are abstracted, represented, and classified.

Yifan Jiang is a project-based artist, who works across painting, animation, sculpture, and performance. She constructs images and narratives by weaving together personal moments with idioms of philosophy, history, and science. 

Christina Yang is an independent curator/writer/educator based in New York. 

Tracey Cockrell is an interdisciplinary artist who frequently collaborates with other artists, writers, & musicians. Using sympathetic resonance as a metaphor and as a means of sound propagation, she builds sculptures and experimental musical instruments that explore the origins of language and challenge the authority of language for making meaning.

Karthik Pandian’s moving image and sculptural works have been shown in major museums, galleries, and biennial exhibitions around the world, including the Whitney Museum of American Art, the Hammer Museum, Whitechapel Gallery, and the Palais de Tokyo.

Rachelle Mozman's photography explores how culture shapes individuals and environment conditions behavior in photographic series that confound documentary and fiction.

Ayodamola (Ayo) Tanimowo Okunseinde is an artist and time-traveler living and working in New York. His works range from speculative design to wearable technology, and explorations of Afrofuturism / Reclamation.

Fern Silva uses moving image to produce a sonic and cinematographic language for the hybrid mythologies of globalism. His films consider methods of narrative, ethnographic, and documentary filmmaking as the starting point for structural experimentation.

Ann Pibal’s widely recognized and highly acclaimed paintings have been exhibited extensively, in the United States, Europe, and Asia.

Nancy Nowacek is an artist, designer, and education who works in the realms of socially-engaged art, visual design, design strategy, and education.

Baseera Khan is a New York-based artist who sees bodies as constantly subject to volatile social environments globally and most notably within capitalist-driven societies such as the United States. Volatility creates a need for Khan to self-censor and develop secretive environments. Living between surveilled and othered, she can find exile anywhere and kinship by its side. These life lessons transform into motives of obscurity that lead her to a careful deployment of material and linguistic shifts. The use of fashion, photography, textiles and music, sculpture and performance manifest Khan's native femme Muslim American experience, a legacy for her aesthetic concealment.

Sara Mangenheimer's work blends sound, video, performance, sculpture, and other forms, and has been shown at venues ranging from the Brooklyn Academy of Music and the New York Film Festival, to MoMA PS1 and White Columns. 

Anina Major (she/her) is a visual artist from the Bahamas whose work investigates the relationship between self and place. Anthropological research and oral histories play fundamental roles in her practice as she engages with ceramic material to map migrations of tradition and identity.