Fall 2013

Course System Home Course Listing Fall 2013

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Showing 25 Results of 266

(In)Justice and (In)Equality — PSY4208.01

Instructor: Ronald Cohen
Days & Time: TBA
Credits: 4
Distinctions between justice and injustice, and between equality and inequality, underlie some of the most fundamental dimensions of social life. This course will address several questions about the relation between inequality and injustice Among them will be the following: 1. What conditions do people consider (un)just, and what factors contribute to     

100 Drawings — ARC4118.01

Instructor: Donald Sherefkin
Days & Time: TBA
Credits: 4
**Time Change** Using a fixed format of 9" x 9" paper, we will do a drawing each day of the term in a process which will parallel Georges Perec's Life: A User's Manual. Each drawing will have a set of constraints from which the student must extrapolate an image. A narrative will gradually be built through the accumulation of evidence. A variety of media, techniques and

A Play Takes Place in the Audience — DRA4133.01

Instructor: Sherry Kramer
Days & Time: TBA
Credits: 4
A play is a unique, self organizing process which generates new states of order spontaneously out of nothing. It uses this order to create a perception shift in the audience. We will read 10 plays together to investigate the way that plays generate meaning. There will be a series of short writing exercises, and students will write a 30-60 minute play as their final project.

Advanced Portfolio Projects in Costume Design — DRA4157.01

Instructor: Charles Schoonmaker
Days & Time: TBA
Credits: 2
This class is intended for students who have previous experience in costume design, garment construction, or other demonstrated background in similar areas. The format will be an intense immersion for 1/2 of the semester in projects and scripts with the goal of producing work which is portfolio worthy. This course will be offered the first seven weeks of term.

Advanced Printmaking Research and Group Exhibition — PRI4402.01

Instructor: Thorsten Dennerline
Days & Time: TBA
Credits: 4
This course is an advanced printmaking research class. Within a basic structure of critiques and discussions, students will independently pursue their own research interests in a workshop environment. Demonstrations of techniques will be given according to the needs of the class. For the past numerous years, this class has culminated in a group exhibition in a local art space.

Advanced Projects in Dance — DAN4795.01

Instructor: Dana Reitz
Days & Time: TBA
Credits: 2
This is an essential course for students involved in making work for performance this term. Attention is given to all of the elements involved in composition and production, including collaborative aspects. Students are expected to show their work throughout stages of development, complete their projects, and perform them to the public by the end of the term. Corequisites:

Advanced Projects in E-Music — MCO4139.01

Instructor: Randall Neal
Days & Time: TBA
Credits: 2
This course will focus on composition in the electro-acoustic medium. Students may choose to develop their technical skills in any of the following areas: sound synthesis, digital signal processing, digital audio recording and surround sound 5.1 spatialization. Students are expected to complete an electro-acoustic composition in surround sound to be presented in concert at

Advanced Projects in Video — FV4304.01

Instructor: Kate Purdie
Days & Time: TBA
Credits: 4
This is a workshop for advanced students pursuing self-directed projects in video. Class time will be spent on group critiques to be supplemented by screenings, readings, discussion, student presentations and individual meetings with the instructor.

Advanced Slip Casting Project — CER4103.01

Instructor: Yoko Inoue
Days & Time: TBA
Credits: 4
This is an intermediate/advanced course for developing casting methods for making functional or sculptural ceramic components for mixed media projects. The focus will be on designing prototypes in various materials and investigating how specific aesthetics or functions can be achieved through the material transformation of ceramics. We will explore creating complex forms by

Advanced Voice — MVO4401.01

Instructor: Rachel Rosales
Days & Time: TBA
Credits: 2
Advanced study of vocal technique and the interpretation of the vocal repertoire, designed for advanced students who have music as a plan concentration and to assist graduating seniors with preparation for senior recitals. Students are required to study and to perform a varied spectrum of vocal repertory for performance and as preparation for further study or graduate school. A

Advanced Voice — MVO4401.02

Instructor: Kerry Ryer-Parke
Days & Time: TBA
Credits: 2
Advanced study of vocal technique and the interpretation of the vocal repertoire, designed for advanced students who have music as a plan concentration and to assist graduating seniors with preparation for senior recitals. Students are required to study and to perform a varied spectrum of vocal repertory for performance and as preparation for further study or graduate school. A

Advanced Workshop in CAPA — APA4124.01

Instructor: Susan Sgorbati; Erika Mijlin
Days & Time: TBA
Credits: 2
This workshop is designed to enable students to pursue work they have already begun that is focused on public action regardless of the particular issue/s they are addressing and to integrate Field Work Term into that work. Students will be presenting their own work to the workshop as it unfolds. Some portion of the workshop will be dedicated to common experience in particular

Agroecology — BIO4101.01

Instructor: Valerie Imbruce
Days & Time: TBA
Credits: 4
This is an advanced course for students interested in the ecology of agricultural systems. Students will gain an in-depth understanding of inputs and outputs in agricultural systems and their relation to primary productivity, nutrient cycling, soil formation, pest control and biodiversity on farm. We will address questions like, how can animals contribute to soil fertility on

America in the World: Past, Present, Future — HIS4204.01

Instructor: Eileen Scully
Days & Time: TBA
Credits: 4
Even while responding to recent global and national events that seem unprecedented, the United States continues to confront the dilemmas running throughout its diplomatic history-national security versus individual liberties, unilateralism versus multi-lateralism, competing domestic constituencies, and conflicting visions of America's role in the world. Newly declassified

America's History Through Her Music: 1500-1900 — MHI2103.01

Instructor: Kitty Brazelton
Days & Time: TBA
Credits: 4
Start with the tributaries: European, African, then Caribbean. Trace these forward in great whorls, mingling currents in a hard-rushing river. For instance, chamber music from Germany in the Pennsylvania countryside was venerated by the High Anglican merchants in Philadelphia and the gentlemen farmers further south. And while those noble white gentlemen listened in parlors to

An Actor's Technique - Nuts and Bolts — DRA4127.01

Instructor: Jenny Rohn
Days & Time: TBA
Credits: 4
How do actors bridge the gap between themselves and the role they are playing? How do actors rehearse with other actors in order to explore the world of the play? This non-performance based class is designed to help individual actors discover their own organic, thorough rehearsal process. Step by step we will clarify the actor's process: character research, character

Ancient Philosophy — PHI2135.01

Instructor: Theresa Morris
Days & Time: TBA
Credits: 4
This course is an introduction to Ancient Philosophy.  We will study the ideas and works of the Presocratics, Socrates, Plato, Aristotle, and the Stoic philosopher, Epictetus. Using the course texts, in-class writing practices, class discussion, and group work students will gain familiarity with philosophical ideas from ancient Greek philosophy, some of which are complex

Animation Projects — MA4201.01

Instructor: Sue Rees
Days & Time: TBA
Credits: 2
The course is for advanced animation students who have clearly defined a specific project. The project could include an animation to be completed in the semester, or preparatory work for an animation to be completed in the Spring 2014 semester; preparatory work could include drawings, model building, puppet construction. The students are expected to have undertaken research

Anthropological Research Methodologies — ANT4110.01

Instructor: Noah Coburn
Days & Time: TBA
Credits: 2
This course is an exploration of the basic tools that anthropologists use when conducting participant-observation field research. Students will learn how to use a variety of interview techniques, focus group discussions and surveys. Workshops will provide the opportunity for students to use these techniques on topics of their own interest. Methodological and theoretical

APA Workshop: Focus: Cities — APA4150.01

Instructor: Elizabeth Coleman; Susie Ibarra
Days & Time: TBA
Credits: 4
This workshop is designed to enable students to pursue a variety of issues relating to the advancing of public action. Cities serves both as a shared focus and a place to integrate a wide and rich variety of perspectives. Students will also be presenting their work to the workshop as it unfolds. Some portion of the workshop will also be dedicated to exploring concepts and

Applying Anthropological Research Methodologies — ANT4111.01

Instructor: Noah Coburn
Days & Time: TBA
Credits: 2
This course is an advanced seminar that will apply skills learned in Anthropological Research Methodologies. The class will work collectively to do a local ethnographic study. Depending upon the skills and interests of each student, the class will design a research proposal and then carry out key research techniques. Finally students will be asked to present this work in a

Art in America Since WWII — AH2286.01

Instructor: Andrew Spence
Days & Time: TBA
Credits: 4
After WWII, artists in U. S. cities played a major role in the transformation of contemporary art from Modernism to Post Modernism and the present.  As a survey, this course looks at several of these artists' works and their connections to important movements such as Abstract Expressionism, Pop Art, and the proliferation of later movements including Photo Realism,

Artist's Portfolio — DAN4366.01

Instructor: Dana Reitz
Days & Time: TBA
Credits: 2
Explaining art work often goes against the grain, yet artists are regularly called upon to articulate their processes, tools, and dynamics of collaboration. To help secure any of the myriad forms of institutional support including funding, venues, and engagements, artists must develop, creatively and flexibly, essential skills. Finding a public language for what is the private

Banjo — MIN2215.01

Instructor: John Kirk
Days & Time: TBA
Credits: 2
Beginning, intermediate, or advanced group lessons on the 5-string banjo in the claw-hammer/frailing style. Student will learn to play using simple song sheets with chords, tablature, and standard notation. Using chord theory and scale work, personal music-making skills will be enhanced. Awareness of traditional styles of playing the instrument will be furthered through a