Spring 2026

Course System Home Course Listing Spring 2026

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Showing 25 Results of 225

Advanced techniques; welding and metal fabrication. — SCU4229.01

Instructor: John Umphlett
Days & Time: MO 1:40pm-5:20pm
Credits: 2

In this course we will focus on cutting and welding non-ferrous metals. Hand cutting and CNC assisted plasma cutting will be the methods in which stock will be cut. The fabrication processes will begin through brazing methods (acetylene) for connecting non-similar metals. There will also be instruction on pinpoint forging as well as

Contemporary Chinese Poetry — CHI4220.01

Instructor: Ginger Lin
Days & Time: TBA
Credits: 5

While the language of classical Chinese poetry is practically inaccessible to even today鈥檚 native speakers of Chinese, the poetry of the five contemporary poets studied in this course is written in the vernacular and serves as a rich source of authentic texts for this course, which integrates language learning with poetry study. The

about the membrane — SCU2216.01

Instructor: John Umphlett
Days & Time: TH 8:30am-12:10pm
Credits: 4

This course focuses on the additive construction methods essential to contemporary sculpture. Students will embark on independent projects that hone their skills in constructing armatures and exploring innovative skinning techniques. Throughout the term, participants will learn to build and manipulate forms using primarily additive processes,

Access is a Practice: Dance and Disability Studies — DAN4373.01

Instructor: Londs Reuter
Days & Time: TU,FR 2:10pm-4:00pm
Credits: 2

Accessibility describes the practice of freeing a space or an event so it might be visited by more people in more ways than one could ever presume at the outset. In this course, we will explore the litany of practices that allow more people (and in particular, disabled, mad, and chronically ill people) into all spheres of public life with a particular focus on performance

Actors Instrument — DRA2170.01

Instructor: Jenny Rohn
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

An actor honors and bears witness to humanity by embodying and giving voice to the human element in the landscape of theatrical collaboration. Investigating the impulses and intuitions that make us unique as individuals can also identify what constitutes our shared humanity. Through exploration of the fundamentals of performance, students address the actor鈥檚 body,

Adobe InDesign Basics — DES2107.01

Instructor: Gus Ramirez
Days & Time: MO 10:00am-11:50am
Credits: 2

This class will focus on the essentials of Adobe InDesign. Students will learn fundamental skills such as interface navigation, document setup, text and image manipulation, advanced features, and best practices for both print and digital publications. By combining the new skills learned in Adobe InDesign with their existing knowledge

Advanced Dramaturgy — DRA4190.01

Instructor: Maya Cantu
Days & Time: WE 2:10pm-5:50pm
Credits: 4

The dramaturg serves as a powerful medium in the theatre. They bridge the past and the present, the creative team and the audience, while providing critical generosity and historical and literary insight. Focusing upon the practical application of dramaturgy, this course will offer students a credited platform for dramaturgical work oriented toward production.

Three

Advanced Improvisation Ensemble for Dancers and Musicians — DAN4361.01

Instructor: Michael Wimberly
Days & Time: WE 4:10pm-6:00pm
Credits: 2

This class is for students who have had training in improvisational music and/or movement practices. Students will investigate and perform structures and concepts while paying attention to pattern recognition, arcs of development, and the building of gestural, sonic, spatial, and energetic movement

Advanced Improvisation: Game of the Scene — DRA4380.01

Instructor: Shawtane Bowen
Days & Time: TH 1:40pm-5:20pm
Credits: 4

This course is an in-depth exploration of improvised comedy scene work, with a central focus on finding and playing 鈥淕ame.鈥 Game is loosely defined as a pattern of unusual behavior that breaks from the pattern of your everyday life. In other words, Game is what's funny about your scene.

To play Game in a long-form scene, you鈥檒l learn to answer three key questions:

Advanced Observing Projects — PHY4236.01

Instructor: Hugh Crowl
Days & Time: TBA
Credits: 2

Students will observe using the telescopes at Stickney Observatory for a series of astronomical observing projects. After a range of initial assigned projects designed to acquaint students with the capabilities of the observing equipment and astrophysically interesting observations, students will propose and carry out their own observing projects looking at astrophysical

Advanced Printing and Projects in Lithography — PRI4118.01

Instructor: Thorsten Dennerline
Days & Time: TH 1:40pm-5:20pm
Credits: 4

This advanced level course is also an introduction to lithographic processes. Students will start by processing and printing images from limestone and end the semester by exploring the possibilities of making positive films to expose lithographic plates. This studio class is structured around a number of projects, each one ending with a group critique. Students should find

Advanced Projects in Film and Video II — FV4333.01

Instructor: Jen Liu
Days & Time: TU 8:30am-12:10pm
Credits: 4

Students will work towards completing one moving image piece or body of work of their own devising, while participating in weekly long form critiques of each others' work. Thus, the course has two primary intentions: to help students will complete their own productions for public viewing/distribution, while developing their critical capacities in weekly in-depth discussions.

Advanced Projects in Linguistics — LIN4117.01

Instructor: Alexia Fawcett
Days & Time: TBA
Credits: 2

In this course, students will pursue advanced work in linguistics via topics and forms approved by their respective Plan committees.  The course will frame habitual and productive practices in the conduct and presentation of linguistic research, guide the growth of individual students' topical expertise, and present opportunities for the sharing and

Advanced Workshop for Painting and Drawing — PAI4404.01

Instructor: Ann Pibal
Days & Time: WE 8:30am-12:10pm
Credits: 4

This course is for experienced student artists with a firm commitment to serious work in the studio. Students will work primarily on self-directed projects in an effort to refine individual concerns and subject matter. Students will present work regularly for critique in class as well as for individual studio meetings with the instructor.

There will be an emphasis

Advanced/Senior Projects in Dance — DAN4712.01

Instructor: Elena Demyanenko
Days & Time: TBA
Credits: 4

This is an essential course for students wishing to make new work for performance this term, whether one project or a series. It is designed specifically to support each person鈥檚 artistic voice and manner of working.

Attention will be given to all elements involved in composition and production, including collaborative aspects. Students are expected to show their

All About Medium Format Film — PHO4249.01

Instructor: Eddy Aldana
Days & Time: FR 2:10pm-4:00pm
Credits: 2

This 2-credit course will explore the use of medium format film, its purpose, benefits and drawbacks, and the appeal of photographing with a significantly larger film than 35mm. Students will learn about the history of medium format film, the versatility of its sizes that varies from camera to camera and how to enhance their photographic

American Captivity — LIT4610.01

Instructor: Ben Anastas
Days & Time: MO 3:40pm-5:30pm
Credits: 2

The captivity narrative is a uniquely American literary form, a distinct, adventure-driven offshoot of the Puritan spiritual autobiography--with affinities to the slave narrative--that has more in common with today's reality-based media programming that you might think. We'll spend the term looking closely at the captivity narratives that form the canon, beginning with the

An Actor鈥檚 Technique: Nuts and Bolts — DRA4127.01

Instructor: Shawtane Bowen
Days & Time: WE 2:10pm-5:50pm
Credits: 4

How do actors bridge the gap between themselves and the role they are playing? How do actors rehearse with other actors in order to explore the world of the play? 

This non-performance based class is designed to help individual actors discover their own organic, thorough rehearsal process. Step by step we will clarify the actor鈥檚 process: character research,

Analyzing Blockchain/Web3 as an open distributed database — CS4391.01

Instructor: Michael Corey
Days & Time: TH 3:40pm-5:30pm
Credits: 2

Following up on the fall course on web3, this course helps students learn to track transactions and actions across blockchains, which are large distributed censorship resistant databases. The course starts by exploring the fundamental nature of the blockchain: how data is stored, accessed, and traversed. It then introduces common patterns

Art in Public Spaces as connective tissue — DAN4380.01

Instructor: Martin Landz
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 2

In this course, we will explore various projects that aim to connect people with their surroundings and communities.
We will also explore the strategies that various artists have implemented to increase their audiences and interest in the arts.
We will analyze and design projects that seek sustainability, diversification, and access to the experience of art and

Artificial Intelligence — CS4105.01

Instructor: Darcy Otto
Days & Time: TU,FR 2:10pm-4:00pm
Credits: 4

How can we create machines that think, learn, and solve problems? This course explores the fascinating field of artificial intelligence (AI), introducing the fundamental concepts, techniques, and ethical considerations that drive this rapidly evolving discipline.

Building upon your programming knowledge, you will explore key AI paradigms including search algorithms,

Autobiographical Memory — PSY2244.01

Instructor: Faculty TBA
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

What do we remember about our lives, and how do these memories contribute to our sense of self?  This course will begin with an introduction to the scientific study of human memory to better understand how autobiographical memory brings episodic, semantic, and other types of memory together.  We will then explore what autobiographical memory has revealed about the

Balkan Ensemble — MPF4204.01

Instructor: Joseph Alpar
Days & Time: WE 10:00am-11:50am & WE 2:10pm-4:00pm
Credits: 4

Balkan music is fierce brass, complex harmonies, and mind-bending asymmetrical dances. It is spirited Macedonian wedding music, dissonant village songs, devastating Bosnian love ballads, Greek polyphonic songs, and heart-pounding Turkish rhythms. In the Bennington Balkan Ensemble, we will learn to perform a variety of traditional, urban, village, and popular music from

Bass Intensive — MIN4026.01

Instructor: Michael Bisio
Days & Time: TBA
Credits: 2

Advanced studies in theory relating to performance.

Students must be enrolled in Bass with Bisio (MIN4417) simultaneously, no exceptions. This class is only for advanced students and by permission of instructor.