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In this course we will examine the role of music as a vehicle for political and social change in Africa. Our focus will be music-making throughout the continent of Africa during the nationalist struggles that resulted in independent African states and how musicians responded (and continue to respond) to the persistent challenges faced by those post-colonial states.
Are you interested in taking a closer look at the immediate and collective spaces that we live in? What are some of the realities that exist around us and why/ how can we build work that pushes against these basic constructs.
This course explores the art and technique of mold making and its supportive processes.Think about all the teeth molds we make when we munch through our evening supper. Our mouths often act as molds to shape the pressures related to communication and speech. This class will investigate processes related to many different types of molds, from making multiple plaster part molds to flexible silicone examples.
Designed to help beginner translators with no experience build their own ethical translation practices鈥攚ith attention to issues of race, gender, and queerness鈥攖his course offers an introduction to translation via a hands-on approach. What pronouns do you use when translating from a language that doesn鈥檛 have gendered pronouns? Do you translate slurs? We will tackle these questions, plus the basics, thinking about a work鈥檚 tone, audience, and sociohistorical context in order to bring it to life in English.
Beginning, intermediate, or advanced group lessons on the 5-string banjo in the claw-hammer/frailing style. Students will learn to play using simple song sheets with chords, tablature, and standard notation. Using chord theory and scale work, personal music-making skills will be enhanced. History of the African origins of banjo and its introduction to the western world will be discussed as well as past and present practices. Awareness of traditional styles of playing the instrument will be furthered through a listening component and ensemble playing with other instrumentalists.
This course is an introduction to Sabar (traditional dance, drum, and ceremony) from S茅n茅gal and Gambia and Traditional West African Mandingo dance and music forms.
This course provides a vibrant introduction to the traditional West African rhythms and movements of the Mandingo and Wolof communities. Students will embark on a journey through both drumming and dancing disciplines, mastering intricate rhythms that will expand their musical vocabulary and enhance their dance techniques.