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Composing for Drum Set — MCO2131.02

Instructor: Michael Wimberly
Days & Time: TH 10:00am-11:50am
Credits: 1

This 7 week course will shift how drummers think and play the drum set. Students will be encouraged to move beyond just playing beats and grooves to thinking more compositionally. If you are able to play the drums, we will not completely ignore rhythms, however,learning how the drum set can be a melodic and harmonic instrument is one of the directions students will explore. Students will explore a variety of approaches using but not limited to, found objects, membranophones, ideophones, electronics, and the human voice.

Beginning Voice: Moving into Sound — MVO2306.01

Instructor: Kerry Ryer-Parke
Days & Time: WE 2:10pm-4:00pm
Credits: 2

This class uses movement and the principles of the Alexander Technique to prepare the body for making sound. It is designed for singers, actors, dancers, or anyone interested in using their body as an instrument. Our goal is to root sound in the body before the mind gets in the way. Class begins with gentle movements on the floor, sitting and standing to develop physical awareness and ease, and over the term will progress to vocal warmups, spatial games, and exercises that allow the free flow of air, vibration, resonance, and emotion.

Voice Performance Intensive — MVO4404.01, section 1

Instructor: Kerry Ryer-Parke
Days & Time: TU 2:10pm-4:00pm
Credits: 4

The Voice Performance Intensive is an advanced voice course designed for experienced singers looking to elevate their vocal craft and take their performances to the next level. We will explore a diverse range of singing styles, including classical, contemporary, and other genres, enabling students to develop a versatile portfolio of repertoire. 

Intermediate Voice — MVO4301.02, section 2

Instructor: Kerry Ryer-Parke
Days & Time: MO 1:40pm-3:30pm
Credits: 2

For students with some prior singing experience. This class is designed to refine awareness and coordination of the mind and body and develop a reliable vocal technique applicable to all styles of singing and speaking performance.  

Resonance -relating to sound, movement, space and time - — DAN4378.01

Instructor: Martin Landz
Days & Time: WE 4:10pm-6:00pm
Credits: 2

A class, a laboratory that explores the relationship between movement and sound, starting with the phenomenology of sound and acoustics, and considering the translation from sound to movement.

Incorporates listening techniques and sensory perception and encourages participants, through improvisation, to draw from movement, sound, space and memory interchangeably. They will be guided through exercises that help make decisions based on assessment, observation, listening and decision making.

Intermediate Voice — MVO4301.01, section 1

Instructor: Kerry Ryer-Parke
Days & Time: TH 10:00am-11:50am
Credits: 2

For students with some prior singing experience. This class is designed to refine awareness and coordination of the mind and body and develop a reliable vocal technique applicable to all styles of singing and speaking performance.  

About Time — MCO4109.01

Instructor: Nicholas Brooke
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

In this course, students will work on an extended piece (10+ minutes), as well as a suite of miniatures (< 30 seconds). By playing with scale and continuity, students will be challenged to find their own way to extend their ideas while enriching their own musical language. Students can propose a piece in any style or forces, and we will work together to recruit instrumentalists or resources towards an end-of-term performance or installation.

Orchestration — MCO4133.01

Instructor: Nicholas Brooke
Days & Time: WE 4:10pm-6:00pm
Credits: 2

A primer in orchestration, for students who are selected to write for Sage City Symphony. We will pore over the 19th and 20th century orchestral repertoire, getting to know instruments, ranges, and agilities. Analysis, piano reduction, and orchestration from grand staff will be used to internalize and hear orchestration. Students will be expected to create and get feedback on textural sketches of their future pieces.

Voice Performance Intensive — MVO4404.02, section 2

Instructor: Virginia Kelsey
Days & Time: TU 2:10pm-4:00pm
Credits: 4

The Voice Performance Intensive is an advanced voice technique course designed for experienced singers looking to elevate their vocal craft and take their performances to the next level. We will explore a diverse range of singing styles, including classical, contemporary, and other genres, enabling students to develop a versatile portfolio of repertoire. 

Intermediate Voice — MVO4301.03, section 3

Instructor: Virginia Kelsey
Days & Time: MO 3:40pm-5:30pm
Credits: 2

For students with some prior singing experience. This class is designed to refine awareness and coordination of the mind and body and develop a reliable vocal technique applicable to all styles of singing and speaking performance.  

The Scriptorium: Found Families — WRI2165.01

Instructor: Alex Creighton
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

The Scriptorium, a 鈥減lace for writing,鈥 is a class for writers interested in improving their critical essay-writing skills. We will read to write and write to read. Much of our time will be occupied with writing and revising鈥essai means 鈥渢rial鈥 or 鈥渁ttempt鈥濃攁s we work to create new habits and productive strategies for analytical writing.

The Scriptorium: What Is Culture? — WRI2168.01

Instructor: Alex Creighton
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

The Scriptorium, a 鈥減lace for writing,鈥 is a class for writers interested in improving their critical essay-writing skills. We will read to write and write to read. Much of our time will be occupied with writing and revising鈥essai means 鈥渢rial鈥 or 鈥渁ttempt鈥濃攁s we work to create new habits and productive strategies for analytical writing.

SCRIPTORIUM: MONSTERS — WRI2159.02, section 2

Instructor: Camille Guthrie
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

This Scriptorium, a 鈥減lace for writing,鈥 functions as a class for writers interested in improving their critical essay-writing skills. We will read to write and write to read. Much of our time will be occupied with discussion, writing, and revising鈥essai means 鈥渢rial鈥 or 鈥渁ttempt鈥濃攁s we create new habits and strategies for our analytical writing. We will write in various essay structures with the aim of developing a well-supported thesis; in addition, we will revise collaboratively, improve our research and citation skills, and study grammar and style.

SCRIPTORIUM: MONSTERS — WRI2159.01, section 1

Instructor: Camille Guthrie
Days & Time: TU,FR 2:10pm-4:00pm
Credits: 4

This Scriptorium, a 鈥減lace for writing,鈥 functions as a class for writers interested in improving their critical essay-writing skills. We will read to write and write to read. Much of our time will be occupied with discussion, writing, and revising鈥essai means 鈥渢rial鈥 or 鈥渁ttempt鈥濃攁s we create new habits and strategies for our analytical writing. We will write in various essay structures with the aim of developing a well-supported thesis; in addition, we will revise collaboratively, improve our research and citation skills, and study grammar and style.

Movement Practice: S茅n茅mali I- Drumming & Dancing — DAN2423.01

Instructor: Kaolack Ndiaye
Days & Time: TU,FR 8:30am-10:20am
Credits: 2

This course provides a vibrant introduction to the traditional West African rhythms and movements of the Mandingo and Wolof communities. Students will embark on a journey through both drumming and dancing disciplines, mastering intricate rhythms that will expand their musical vocabulary and enhance their dance techniques.

Intermediate Voice — MVO4301.04, section 4

Instructor: Virginia Kelsey
Days & Time: TU 10:30am-12:20pm
Credits: 2

For students with some prior singing experience. This class is designed to refine awareness and coordination of the mind and body and develop a reliable vocal technique applicable to all styles of singing and speaking performance.