Actors Instrument — DRA2170.01, section 1
The craft of acting will be the main focus of this class.
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The craft of acting will be the main focus of this class.
What happens when you start a rehearsal process and you are not sure what you are wanting yet? How do you present movement phrases, concepts, and structures and incorporate new information from the performers? What is it that you see? How do you change your mind?
In this 7-week course, we’ll explore a variety of approaches to improvised scene work, focusing on techniques beyond the Upright Citizens Brigade paradigm. Emphasizing Chicago-style improv, we’ll shift away from a strict ‘Game’ focus and instead prioritize relationship and character.
Get ready to jump in, take risks, and perform hundreds of scenes as you sharpen your skills and expand your improv toolkit. And of course, we’ll top it all off with a final class show where anything can happen!
We can define Ndaga as the awareness of legacy and debt, border crossing, re/invention, re/creation, and the desire to create new space for time travel. This is a self-journey. This course is for students who wish to find their artistic voices by exploring an interdisciplinary approach to making work.