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Working With Light — DRA2234.01

Instructor: Michael Giannitti
Days & Time: WE 8:30am-12:10pm
Credits: 2

Lighting design has the powerful ability to shape the experience of an audience. Its practice incorporates elements of artistry and craft, and should interest those working in all aspects of visual and performing arts. In addition to hands-on work with theatrical lighting equipment in and outside of class, awareness of light, play analysis and conceptualization, color, angle, composition and focus are explored in class demonstrations and in a series of individual and group projects.

The Body Acoustic: Toward A Sense of Place — DAN2112.01

Instructor: Dana Reitz
Days & Time: TU,FR 2:10pm-4:00pm
Credits: 4

How do we physically understand the spaces we are in? How is each of us affected by them? How do we develop a deeper sense of place? The Body Acoustic aims to heighten awareness of the reciprocal relationship between the built environment and our senses. Light and sound, distances, height, volume, surfaces, angles/curves and a/symmetries all affect one鈥檚 movement through interior and exterior spaces; one鈥檚 movement, in turn, affects the perception of these spaces.

Form and Process: Introduction to Painting — PAI2107.01

Instructor: Ann Pibal
Days & Time: WE 8:30am-12:10pm
Credits: 4

This course introduces a variety of materials, techniques and approaches to working with oil paint. Emphasis is placed on developing and understanding of color, form and space as well as individual research and conceptual concerns. The daily experience of seeing, along with examples from art history and contemporary art, provide a base from which investigations are made. Formal, poetic, and social implications within paintings both from class and from a wide-ranging selection of practicing artists are examined and discussed. Students complete work weekly.

Dynamic Anatomy — DAN2359.01

Instructor: Martin Landz
Days & Time: MO,TH 10:00am-11:50am
Credits: 2

This course creates a space for the study of anatomy and its application to movement techniques. Centered in the bone structure, psoas, and breathing exercises, this work examines different sections of the skeleton such as the pelvis, legs, spine, and shoulder girdle. We will also address the psoas muscle as the pillar(s) of the body connecting our lower and upper halves.

Stage Management Process — DRA2251.01

Instructor: Davison Scandrett
Days & Time: WE 2:10pm-4:00pm
Credits: 2

At the center of almost every live performance is a single human being who quite literally runs the show: the stage manager. This course will explore the stage manager鈥檚 role as both an artist and an administrator, using the SM鈥檚 wide-ranging responsibilities as a roadmap to understanding the production process and all the people involved in it.

The Body is a Time Machine — DAN2422.01

Instructor: Nicole Daunic
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

What remains of dance? The lament of dance鈥檚 ephemerality coincides with broader Western temporal projects conceived through the linear unfolding of human progress and social evolution, relegating our movements to an irretrievable past.

Deep Fakes: An Introduction to Oil Painting — PAI2109.01

Instructor: J Blackwell
Days & Time: TU 8:30am-12:10pm
Credits: 4

Fake news, reality television, 鈥淚RL鈥 鈥 asserting the veracity of our perceptions is a constant preoccupation in contemporary culture. What is real? Realism is a widely used term with multiple connotations: verisimilitude, authenticity, objectivity, truth, fact.

Movement Practice: S茅n茅mali I- Drumming & Dancing — DAN2423.01

Instructor: Kaolack Ndiaye
Days & Time: TU,FR 8:30am-10:20am
Credits: 2

This course provides a vibrant introduction to the traditional West African rhythms and movements of the Mandingo and Wolof communities. Students will embark on a journey through both drumming and dancing disciplines, mastering intricate rhythms that will expand their musical vocabulary and enhance their dance techniques.