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Beat By Beat Script Interpretation: Pulitzer Version — DRA4192.01

Instructor: Dina Janis
Days & Time: TU 2:10pm-5:50pm
Credits: 4

Students in this class will read a weekly selection of Pulitzer Prize winning plays and be required to analyze and explore these plays beat by beat in class discussion and weekly critical writing exercises. This is an in-depth script interpretation class in which theme, dramatic structure, arc, character development, tone, style and extensive study of the given playwrights and their influences will be explored in detail and in a way that centers the questions one would need to interrogate in order to bring these diverse and extraordinary pieces of work to life.

Reading and Writing Nonfiction: The Interrotronic Essay: Films of Errol Morris — LIT4609.01

Instructor: Jenny Boully
Days & Time: TU 2:10pm-5:50pm
Credits: 4

Errol Morris is a filmmaker who is obsessed with his obsessions: his cinematic essays veer towards subjects who themselves are consumed by their own fanaticism. In this class, we will study several films and series that center on what others may simply refer to as 鈥渆ccentrics,鈥 subjects who, despite knowing that their obsessions may ultimately lead to devastation, continue nonetheless to pursue their fixations. Through viewing such works as Gates of Heaven, Tabloid, First Person, Vernon, Florida, Mr.

Puppet Full of Worms — LIT2577.01

Instructor: Manuel Gonzales
Days & Time: TU 8:30am-12:10pm
Credits: 4

In this course we are tackling the Shakespeare history plays, examining the imperialistic and violent movements of Henrys and Richards, et al, exploring betrayals, battles, the War of the Roses, British history -- as understood in our contemporary time and compared to how it was understood by Shakespeare, who cut his teeth on the histories, spreading both English lore and his own poetic voice far and wide in service of King (Queen) and Country.