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This course is an introduction to unique prints, or prints that are not necessarily printed as an edition. We will emphasize the making of mixed media prints using a broad range of methods from monotypes to digital prints. The class is structured around a series of projects where rigorous experimentation is encouraged.
From Simo虂n Boli虂var鈥檚 recruitment of the exiled Francisco de Miranda in early nineteenth-century London, to the counter-revolutionary Guillermo Cabrera Infante鈥檚 Tres tristes tigres, written in a Hampstead flat, much of Latin America鈥檚 postcolonial identity has been forged outside its borders. Beyond defining home, exiles have defined their alternate environments. De Miranda鈥檚 statue still stands in Fitzroy Square, and Cabrera Infante lived in London for the rest of his life.
In lieu of more conventional advanced Spanish classes, paralleling a series of often disparate tutorials, with tutees working in relative isolation, the proposal is to allow students free reign over an idea for a final, term-long project, while concurrently offering them an educated, exoteric audience to assist in fleshing out their work. Faculty will provide key secondary and tertiary reading, common to all, some with immediate relevance to the projects in question, some deemed necessary for any culminating work, but the primary content of these sessions will be student-driven.