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Historical and Natural Alternative Processes in Photography — PHO4132.01

Instructor: Eddy Aldana
Days & Time: FR 2:10pm-4:00pm
Credits: 2

This 2-credit course will explore working with classical and natural alternative processes including Cyanotypes, Anthotypes, and Chlorophyll prints among others. Students will learn the histories of each process and see how artists are working with those processes in today鈥檚 day and age. The Cyanotypes will be produced on fine art paper and fabric, and the Anthotypes will be produced with a variety of fruits, vegetables, and plants.

Chromophilia: Investigations in Color — VA4409.01

Instructor: Ann Pibal
Days & Time: MO 1:40pm-5:20pm
Credits: 4

Chromophilia, refers to intense passion and love for color. What is it about color that has the power to induce reverie, and conversely to manipulate, or disgust? How does color work? What is the role of color in visual art? In language? How do we understand and respond to color from phenomenological, poetic, philosophical, and societal vantage points? How as artists can we become effective stewards of our passionately-loved and yet ever-shifting chroma?

Silkscreen Printmaking — PRI2122.02

Instructor: Corinne Rhodes
Days & Time: MO 1:40pm-5:20pm
Credits: 2

Screen printing is an extremely versatile means of reproducing a 2-D image onto a variety of objects.  Hand-drawn, painted, photographic and digital images can all be used singularly and in combination with each other.  Preparation and processing is relatively simple and multiples can be produced quickly. In this class, we will print with non-toxic, water-based inks.

The Poetics of Protest — LIT4612.01

Instructor: Franny Choi
Days & Time: MO 1:40pm-5:20pm
Credits: 4

Since the killing of poet Refaat Alareer by Israeli forces in December of 2023, his now-famous poem 鈥淚f I Must Die鈥 has been read aloud at rallies and teach-ins, shared widely on social media, and written on countless picket signs. What makes a bit of language sticky and alive enough to mobilize people to take political action? What role has poetry played in liberation movements throughout history? And what might happen if we thought about the slogans that have animated social movements (e.g., 鈥淏lack is beautiful,鈥 鈥淣othing about us without us鈥) through the lens of poetry?

Electronics Lab — PHY2213.02

Instructor: Hugh Crowl
Days & Time: MO 1:40pm-5:20pm
Credits: 2

This course will serve as an introduction to working with circuits in a lab setting. We will learn about the relatively simple rules necessary for working with analog circuits and how those rules can be used to build objects of growing complexity. We will then move on to understanding how to build circuits that can measure properties of and interact with their surroundings.

molds — SCU2215.02

Instructor: John Umphlett
Days & Time: MO 1:40pm-5:20pm
Credits: 2

This course explores the art and technique of mold making and its supportive processes.Think about all the teeth molds we make when we munch through our evening supper. Our mouths often act as molds to shape the pressures related to communication and speech.  This class will investigate processes related to many different types of molds, from making multiple plaster part molds to flexible silicone examples.

Intro to 16mm — FV2312.01

Instructor: John Crowe
Days & Time: FR 2:10pm-4:00pm
Credits: 2

An introduction to 16mm film techniques, students will shoot and edit analog 16mm film, develop by hand and finally will transfer film to video. Through screenings, experiments and hands-on workshops students will learn about cinematography and the photochemical process. Taking advantage of the special tactile, tangible nature of analog film, material properties will also be explored- direct tactile methods such as loops, paint/scratch on film and laser etching.

Mad Props: Theatrical Property Design and Construction — DRA2312.01

Instructor: Seancolin Hankins
Days & Time: FR 2:10pm-4:00pm
Credits: 2

An exercise in planning, communication, creativity and resourcefulness, property design applies to film, television, and theatrical production. This course will look at theatrical props and set dressing from a property designer鈥檚 perspective. Starting with a script, we will uncover the questions you didn鈥檛 know needed answering in order to comprehensively produce or curate props that are functional, period appropriate, and successfully contribute to a production.

Drawing Excess: the Gesamtkunstwerk — DRW4407.01

Instructor: J Blackwell
Days & Time: MO 1:40pm-5:20pm
Credits: 4

The German term Gesamtkunstwerk roughly translates as a 鈥渢otal work of art鈥 and refers to an artistic endeavor wherein various art forms are melded together to form a unified whole. Through the amalgamation of art, craft, music, and performance, Gesamtkunstwerk evokes a realm distinct from our everyday experience.