51³ÉÈËÁÔÆæ

The craft of acting will be the main focus of this class.

What happens when you start a rehearsal process and you are not sure what you are wanting yet? How do you present movement phrases, concepts, and structures and incorporate new information from the performers? What is it that you see? How do you change your mind?

In this course we will encounter various strategies for building a career in the performing arts field.

In this 7-week course, we’ll explore a variety of approaches to improvised scene work, focusing on techniques beyond the Upright Citizens Brigade paradigm. Emphasizing Chicago-style improv, we’ll shift away from a strict ‘Game’ focus and instead prioritize relationship and character.

Get ready to jump in, take risks, and perform hundreds of scenes as you sharpen your skills and expand your improv toolkit. And of course, we’ll top it all off with a final class show where anything can happen!

This class uses movement and the principles of the Alexander Technique to prepare the body for making sound. It is designed for singers, actors, dancers, or anyone interested in using their body as an instrument. Our goal is to root sound in the body before the mind gets in the way. Class begins with gentle movements on the floor, sitting and standing to develop physical awareness and ease, and over the term will progress to vocal warmups, spatial games, and exercises that allow the free flow of air, vibration, resonance, and emotion.

In this course, students will work on an extended piece (10+ minutes), as well as a suite of miniatures (< 30 seconds). By playing with scale and continuity, students will be challenged to find their own way to extend their ideas while enriching their own musical language. Students can propose a piece in any style or forces, and we will work together to recruit instrumentalists or resources towards an end-of-term performance or installation.

We can define Ndaga as the awareness of legacy and debt, border crossing, re/invention, re/creation, and the desire to create new space for time travel. This is a self-journey. This course is for students who wish to find their artistic voices by exploring an interdisciplinary approach to making work.

At the center of almost every live performance is a single human being who quite literally runs the show: the stage manager. This course will explore the stage manager’s role as both an artist and an administrator, using the SM’s wide-ranging responsibilities as a roadmap to understanding the production process and all the people involved in it.

The large-scale consumer web has been defined by epochs. The first epoch was defined by the user as consumer: large companies created content which was consumed by the masses. The second web epoch (web 2.0) has been defined by consumer creators, large companies own and deliver content created by users to other users (Facebook, TikTok, Snapchat, Twitter, Instagram, …). The third web epoch is—if you believe the hype—to be defined by self-ownership of content.

In this class we will explore the art and practice of scientific communication. This course is inspired by the work of Edward Tufte as well as a lifetime of experience in scientific research and presentation. Our aim is to learn how to create elegant explanations of complex ideas using pictures, charts, numbers and words. We will analyze and produce displays for use in journalism, research publications and scientific presentations, as well as other art forms that inspire multifaceted understanding.

This course will focus on teaching methods. While applicable to college, they’ll mostly be of the K-12 variety. Proleptically, it should always already recognize the false dichotomy rather too neatly encapsulated in its subtitle.

The comforts and amenities of modern life require vast inputs of energy to power an industrial society. While the benefits of industrial society are significant, if unevenly shared, the environmental costs of energy extraction and production are significant. These environmental costs are also unevenly shared.

How have economic histories and past structures shaped present-day realities? Why do patterns of inequality persist between the Global North and South? This course examines these questions by exploring the long-lasting economic effects of colonial encounters—not just on the economies of formerly colonized countries, but also on those of the colonizers.

This course explores the life, works, and revolutionary contributions of Harry Partch (1901–1974), one of the most original and influential American composers of the 20th century. Partch was a pioneer of microtonal music and developed a unique 43-tone scale, which led him to construct his own instruments to realize his visionary compositions. Students will examine Partch’s unconventional approach to tuning, his rejection of equal temperament, and his philosophy of music as an integrated theatrical and corporeal experience.

High-intermediate level. More details to come soon.

This is an advanced improvisation class for students from all disciplines. We will learn the concepts of complexity and advance our skills in pattern recognition, self-organization, emergent structuring, and development of movement, verbal, visual and design vocabularies. Collaborative processes will be explored to further different forms of creative practices, both to address an artistic practice and a dialogic practice.

Sustainable development has been defined as development that meets the needs of the present without compromising the ability of future generations to meet their own needs. It calls for concerted efforts towards building an inclusive, sustainable, and resilient future for people and planet. For sustainable development to be achieved, it is crucial to harmonize three core elements: economic growth, social inclusion, and environmental protection. Ending poverty in all forms is vital.