Search Results

The Art of Rehearsing — DAN4229.01

Instructor: Dana Reitz
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

What happens when you start a rehearsal process and you are not sure what you are wanting yet? How do you present movement phrases, concepts, and structures and incorporate new information from the performers? What is it that you see? How do you change your mind?

Performance Project: Dancing Chavela Vargas — DAN4375.01

Instructor: Levi Gonzalez
Days & Time: TU,FR 4:10pm-6:00pm
Credits: 2

Chavela Vargas has often been called 鈥渓a voz de M茅xico鈥. An iconoclastic figure, a publicly queer woman singing rancheras and comporting with radical artists and activists, her life is a study in refusing to submit to social norms and embracing the power of art as an act of solidarity, resistance and love. 

Advanced Improvisation: Scene Work — DRA4386.01

Instructor: Shawtane Bowen
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 2

In this 7-week course, we鈥檒l explore a variety of approaches to improvised scene work, focusing on techniques beyond the Upright Citizens Brigade paradigm. Emphasizing Chicago-style improv, we鈥檒l shift away from a strict 鈥楪ame鈥 focus and instead prioritize relationship and character.

Get ready to jump in, take risks, and perform hundreds of scenes as you sharpen your skills and expand your improv toolkit. And of course, we鈥檒l top it all off with a final class show where anything can happen!

About Time — MCO4109.01

Instructor: Nicholas Brooke
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

In this course, students will work on an extended piece (10+ minutes), as well as a suite of miniatures (< 30 seconds). By playing with scale and continuity, students will be challenged to find their own way to extend their ideas while enriching their own musical language. Students can propose a piece in any style or forces, and we will work together to recruit instrumentalists or resources towards an end-of-term performance or installation.

Ndaga a way of making dance — DAN4486.01

Instructor: Kaolack Ndiaye
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

We can define Ndaga as the awareness of legacy and debt, border crossing, re/invention, re/creation, and the desire to create new space for time travel. This is a self-journey. This course is for students who wish to find their artistic voices by exploring an interdisciplinary approach to making work.

Zen Buddhism — CHI4218.01

Instructor: Ginger Lin
Days & Time: TU,FR 4:10pm-6:00pm
Credits: 4

Although it was born in India, Buddhism has had a deep and profound influence on Chinese and East Asian culture, but this philosophy remains relevant to modern life in both the East and West. Students will be introduced to the spirit of Buddhism through modern Mandarin interpretations of classic Chinese Buddhist poems and stories. Students will explore Chinese Buddhist concepts while building on their competencies in listening, speaking, reading and writing Mandarin Chinese.

Economics in the Postcolonial Context — PEC4107.01

Instructor: Lopamudra Banerjee
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

How have economic histories and past structures shaped present-day realities? Why do patterns of inequality persist between the Global North and South? This course examines these questions by exploring the long-lasting economic effects of colonial encounters鈥攏ot just on the economies of formerly colonized countries, but also on those of the colonizers.