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Studio Practice: Combined Forms — DAN4832B.03, section 3

Instructor: Katie Swords Thurman
Days & Time: TU 10:30am-12:20pm
Credits: 1

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Advanced Film/Video Projects I — FV4476.01

Instructor: Mariam Ghani
Days & Time: WE 10:00am-11:50am
Credits: 2

This semester-length, 2-credit course, intended for students who will continue to the Advanced Projects in Film/Video II course in spring 2023, supports advanced students in planning, pre-production, and early production (or for 8th term students, post-production and finishing) for more complex, larger-scale, longer-duration, self-directed film/video projects. It also includes a screening series where we watch and analyze feature and mid-length films.

DeltasUNite: The United Nations Convention on Saving the River Deltas — APA2192.01

Instructor: Susan Sgorbati
Days & Time: WE 10:00am-11:50am
Credits: 2

This class will examine the current diplomacy and process of a new Convention for the United Nations on Conserving the River Deltas. We will hear from some of the lead partners on the project: The Transboundary Water In-Cooperation Network (TWIN), co-founded by CAPA and the Institute for Environmental Diplomacy and Security at the University of Vermont, and the African Centre for Climate Action and Rural Development (ACCARD) directed by Freeman Oluohor.

Intermediate Voice — MVO4301.04, section 4

Instructor: Virginia Kelsey
Days & Time: TU 10:30am-12:20pm
Credits: 2

For students with some prior singing experience. This class is designed to refine awareness and coordination of the mind and body and develop a reliable vocal technique applicable to all styles of singing and speaking performance.  

Situating Black & Brown Art in Museums — BLS4001.01

Instructor: An Duplan
Days & Time: TU 10:30am-12:20pm
Credits:

In collaboration with Mass MoCA鈥檚 Director of Public Programs, Lisa Dent, this course will combine art history and museum education as modes of inquiry into the unique challenges of presenting and contextualizing Black and brown artists in museums. Students will engage deeply with three solo exhibitions at Mass MoCA: (1) RACE/HUSTLE by Zora J. Murff, whose work 鈥渂luntly signifies how the art museum itself is part of the cultural arm of white supremacy and state power,鈥 (2) Vincent Valdez鈥檚 Just a Dream, and (3) Jimena Sarno鈥檚 Rhapsody. 

Modern Logic (Summer Course) — CS2142.01

Instructor: Darcy Otto
Days & Time: MO,TH 7:00pm-8:50pm
Credits: 2

Formal logic is the study of the structure of reasoning itself鈥攈ow arguments are built, when they succeed, and why they fail. In an age of information overload, knowing how to dissect an argument, detect reasoning errors, and construct rigorous proofs is a superpower. This course introduces the foundations of formal logic, with an emphasis on precision, clarity, and critical thinking tools. From everyday statements to abstract puzzles, you will learn how to translate ideas into symbolic form and test their validity.

Studio Practice: Combined Forms — DAN4832B.07, section 7

Instructor: Jasmine Hearn
Days & Time: TU 10:30am-12:20pm
Credits: 1

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.