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Studio Practice: Combined Forms — DAN4832B.05, section 5

Instructor: Kayla Farrish
Days & Time: MO 10:00am-11:50am
Credits: 1

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Digital Image Compositing — DES2106.01

Instructor: Gus Ramirez
Days & Time: MO 10:00am-11:50am
Credits: 2

Beyond its use in commercial and fine art photography, image compositing is a useful tool for artists and designers more broadly. This course will cover processing, combining, and editing images in Adobe Photoshop to an intermediate level. Students will learn about the Photoshop interface, and how to work with images using filters, masks, levels, color and saturation controls, and a variety of selection and editing tools to create digital collages and composites. Student work will culminate in a large-format printed project.

Intermediate Voice — MVO4301.02, section 2

Instructor: Kerry Ryer-Parke
Days & Time: MO 1:40pm-3:30pm
Credits: 2

For students with some prior singing experience. This class is designed to refine awareness and coordination of the mind and body and develop a reliable vocal technique applicable to all styles of singing and speaking performance.  

World Building: Designing Characters and World They Live In — DES2109.01

Instructor: Tilly Grimes
Days & Time: MO 10:00am-11:50am
Credits: 2

Every fictional universe has its own history, culture, geography, and ecology that act as a backdrop to the narratives that inhabit it.  This course will investigate the relationship between such a fantastical place and its characters – with a particular emphasis on the philosophy and symbology of the characters and their clothes.

Blockchain/Web3 as an evolution of the consumer web — CS2138.01

Instructor: Michael Corey
Days & Time: TH 3:40pm-5:30pm
Credits: 2

The large-scale consumer web has been defined by epochs. The first epoch was defined by the user as consumer: large companies created content which was consumed by the masses. The second web epoch (web 2.0) has been defined by consumer creators, large companies own and deliver content created by users to other users (Facebook, TikTok, Snapchat, Twitter, Instagram, …). The third web epoch is—if you believe the hype—to be defined by self-ownership of content.

Studio Practice: Combined Forms — DAN4832B.01, section 1

Instructor: Katie Swords Thurman
Days & Time: MO 10:00am-11:50am
Credits: 1

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Tune-smithing: Creating Melody — MCO4003.01

Instructor: Rachel Clemente
Days & Time: MO 1:40pm-3:30pm
Credits: 2

In this course we will be looking at the harmonic and melodic structures of traditional Gaelic (Highlands and Islands of Scotland) melodies as well as the contemporary music of the Scottish folk music revival to draw on and create new compositions. Students will compose four melodies (or one larger work) in a variety of traditional styles utilizing the different tune forms we will be discussing and analyzing. Analysis of modern composers use of traditional Celtic/folk melodies will also be covered. Students will be asked to compile their own playlist for inspiration and analysis.

The Death and Life of Ash Trees: Emerald Ash Borer on the Bennington Campus — ENV2210.01

Instructor: Caitlin McDonough MacKenzie
Days & Time: TH 3:40pm-5:30pm
Credits: 1

The ash trees on campus are dying from an introduced beetle. Ash trees make up about 8% of Vermont’s forests and their foliage contributes to our iconic fall colors. They are culturally important trees with deep connections to art from Indigenous basket making to Beyonce’s Louisville slugger in Lemonade. The Emerald Ash Borer (EAB) beetle arrived in North America in Michigan in 2002; it was first confirmed on the Bennington campus in late 2024. The mortality rate of EAB-infested ash trees is 99.97%.