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“Disability justice culture is simultaneously beautiful and practical. Poetry and dance are as important [to disability justice culture] as a blog post about accessible bathroom hacks—because they are interdependent.”
- Leah Lakshmi Piepzna-Samarasinha

Each Practice + Process course is designed around the research/pedagogic interests of the faculty member leading the class. The overall curricular structure positions studio practice, creative process and critical reading, thinking and languaging as integrated elements within one course, enabling students to move between modes of learning, reflection and making.

Chavela Vargas has often been called “la voz de México”. An iconoclastic figure, a publicly queer woman singing rancheras and comporting with radical artists and activists, her life is a study in refusing to submit to social norms and embracing the power of art as an act of solidarity, resistance and love. 

Although it was born in India, Buddhism has had a deep and profound influence on Chinese and East Asian culture, but this philosophy remains relevant to modern life in both the East and West. Students will be introduced to the spirit of Buddhism through modern Mandarin interpretations of classic Chinese Buddhist poems and stories. Students will explore Chinese Buddhist concepts while building on their competencies in listening, speaking, reading and writing Mandarin Chinese.

This course offers an overview of foundational tools and techniques in digital photographic practice and aims to help students find new sources of inspiration, deepen their creative work, and enhance their ability to present it.

The large-scale consumer web has been defined by epochs. The first epoch was defined by the user as consumer: large companies created content which was consumed by the masses. The second web epoch (web 2.0) has been defined by consumer creators, large companies own and deliver content created by users to other users (Facebook, TikTok, Snapchat, Twitter, Instagram, …). The third web epoch is—if you believe the hype—to be defined by self-ownership of content.

This course is an introduction to Sabar (traditional dance, drum, and ceremony) from Sénégal and Gambia and Traditional West African Mandingo dance and music forms.

Each Practice + Process course is designed around the research/pedagogic interests of the faculty member leading the class. The overall curricular structure positions studio practice, creative process and critical reading, thinking and languaging as integrated elements within one course, enabling students to move between modes of learning, reflection and making.

The ash trees on campus are dying from an introduced beetle. Ash trees make up about 8% of Vermont’s forests and their foliage contributes to our iconic fall colors. They are culturally important trees with deep connections to art from Indigenous basket making to Beyonce’s Louisville slugger in Lemonade. The Emerald Ash Borer (EAB) beetle arrived in North America in Michigan in 2002; it was first confirmed on the Bennington campus in late 2024. The mortality rate of EAB-infested ash trees is 99.97%.