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Sculpture and vessels are realized through an exchange between the medium and the self. The class will begin with the question:

What is Sculpture?

What is a Vessel?

Students in this class will read a weekly selection of Pulitzer Prize winning plays and be required to analyze and explore these plays beat by beat in class discussion and weekly critical writing exercises. This is an in-depth script interpretation class in which theme, dramatic structure, arc, character development, tone, style and extensive study of the given playwrights and their influences will be explored in detail and in a way that centers the questions one would need to interrogate in order to bring these diverse and extraordinary pieces of work to life.

In this course we will encounter various strategies for building a career in the performing arts field.

Errol Morris is a filmmaker who is obsessed with his obsessions: his cinematic essays veer towards subjects who themselves are consumed by their own fanaticism. In this class, we will study several films and series that center on what others may simply refer to as “eccentrics,” subjects who, despite knowing that their obsessions may ultimately lead to devastation, continue nonetheless to pursue their fixations. Through viewing such works as Gates of Heaven, Tabloid, First Person, Vernon, Florida, Mr.

This intermediate level painting course will take as its platform the investigation of writing by artists about art and artists. While developing their own self-defined studio practices, students will engage with primary documents of art history - artists' essays, letters and sketchbooks.

This class uses movement and the principles of the Alexander Technique to prepare the body for making sound. It is designed for singers, actors, dancers, or anyone interested in using their body as an instrument. Our goal is to root sound in the body before the mind gets in the way. Class begins with gentle movements on the floor, sitting and standing to develop physical awareness and ease, and over the term will progress to vocal warmups, spatial games, and exercises that allow the free flow of air, vibration, resonance, and emotion.

At the center of almost every live performance is a single human being who quite literally runs the show: the stage manager. This course will explore the stage manager’s role as both an artist and an administrator, using the SM’s wide-ranging responsibilities as a roadmap to understanding the production process and all the people involved in it.

Since its inception, film has been used for propaganda - disseminating information with a particular slant, whether subtle or obvious - by regimes and independent players across the political spectrum. As the means of production and circuits of distribution become ever more accessible to individuals, we have moved from an era of focused agitprop into a new era of diffused disinformation.

In this class we will explore the art and practice of scientific communication. This course is inspired by the work of Edward Tufte as well as a lifetime of experience in scientific research and presentation. Our aim is to learn how to create elegant explanations of complex ideas using pictures, charts, numbers and words. We will analyze and produce displays for use in journalism, research publications and scientific presentations, as well as other art forms that inspire multifaceted understanding.

This course is an introductory level print media and drawing class. Students will learn about relief printmaking through demonstrations of techniques, hands-on experience, and critiques. Techniques include but are not limited to wood cut and linoleum cut. With this simple process, we will be able to explore color printing in depth. This course is also an introduction to making 2D images and the study of visual language. Students who have experience beyond the introductory level are welcome.

This production course is designed to get students producing video immediately: we will look at basic techniques with an emphasis on simple and self-devised methods of media production, efficient approaches to lighting and sound, and emphasize quick turnover time to create a great amount of work in a relatively short period of time.

This course explores the life, works, and revolutionary contributions of Harry Partch (1901–1974), one of the most original and influential American composers of the 20th century. Partch was a pioneer of microtonal music and developed a unique 43-tone scale, which led him to construct his own instruments to realize his visionary compositions. Students will examine Partch’s unconventional approach to tuning, his rejection of equal temperament, and his philosophy of music as an integrated theatrical and corporeal experience.

This is an advanced improvisation class for students from all disciplines. We will learn the concepts of complexity and advance our skills in pattern recognition, self-organization, emergent structuring, and development of movement, verbal, visual and design vocabularies. Collaborative processes will be explored to further different forms of creative practices, both to address an artistic practice and a dialogic practice.

How does love emerge under conditions of war? This seminar explores what it means to sustain intimate relations in the face of overwhelming violence. Through the Anthropology of Kinship, as well as through methods developed across the fields of Queer Studies, Black Studies, and Postcolonial Studies, this course considers how intimacy and love figure in the production and maintenance of racialized, classed, and gendered difference.