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Epistemic Justice — PHI2162.01

Instructor: Catherine McKeen
Days & Time: TU,FR 10:30am-12:20pm
Credits: 2

How does one鈥檚 social positionality affect one鈥檚 status as a knower? Who is heard? Who is believed? This seven-week course is focused on questions of justice and power in relation to knowledge. We will engage with recent work in social epistemology鈥攑hilosophical theories of belief and knowledge鈥攚ith an emphasis on feminist epistemologies, anti-racist epistemologies, and epistemologies of resistance. These approaches stress that knowers are embodied, situated, embedded in communities, and have multiple, intersecting social identities.

TMD: Practice + Process — DAN4831B.01, section 1

Instructor: Kingsley Ibeneche
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 2

Each Practice + Process course is designed around the research/pedagogic interests of the faculty member leading the class. The overall curricular structure positions studio practice, creative process and critical reading, thinking and languaging as integrated elements within one course, enabling students to move between modes of learning, reflection and making.

 

Studio Practice: Ballet — DAN4815B.01, section 1

Instructor: Michael Sheridan
Days & Time: MO,WE,TH 8:30am-9:50am
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice: Ballet — DAN4815B.02, section 2

Instructor: Michael Sheridan
Days & Time: Tu 8:30AM-10:20AM
Credits: 1

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice: Ballet — DAN4815B.03, section 3

Instructor: Michael Sheridan
Days & Time: TU,FR 8:30am-10:20am
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice: Combined Forms — DAN4832B.03, section 3

Instructor: Katie Swords Thurman
Days & Time: TU 10:30am-12:20pm
Credits: 1

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice: Combined Forms — DAN4832B.04, section 4

Instructor: Katie Swords Thurman
Days & Time: TU,FR 10:30am-12:20pm
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Working With Light — DRA2234.01

Instructor: Michael Giannitti
Days & Time: WE 8:30am-12:10pm
Credits: 2

Lighting design has the powerful ability to shape the experience of an audience. Its practice incorporates elements of artistry and craft, and should interest those working in all aspects of visual and performing arts. In addition to hands-on work with theatrical lighting equipment in and outside of class, awareness of light, play analysis and conceptualization, color, angle, composition and focus are explored in class demonstrations and in a series of individual and group projects.

Advanced Improvisation: Scene Work — DRA4386.01

Instructor: Shawtane Bowen
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 2

In this 7-week course, we鈥檒l explore a variety of approaches to improvised scene work, focusing on techniques beyond the Upright Citizens Brigade paradigm. Emphasizing Chicago-style improv, we鈥檒l shift away from a strict 鈥楪ame鈥 focus and instead prioritize relationship and character.

Get ready to jump in, take risks, and perform hundreds of scenes as you sharpen your skills and expand your improv toolkit. And of course, we鈥檒l top it all off with a final class show where anything can happen!

Clothes: Reduce, Reuse, Redux — DES2108.01

Instructor: Tilly Grimes
Days & Time: TU 8:30am-12:10pm
Credits: 2

A sustainable design process with found clothing 

Every year, roughly 92 million tons of clothing end up in landfills. This course seeks to support students rescuing our cast-offs by upcycling fast fashion. Students will explore how to deconstruct garments, rethink their intention, and reconstruct them anew. 

Modeling and Thinking in Rhino 8 — DES2110.01

Instructor: Derek Parker
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 2

Modeling and Thinking in Rhino 8 is an introductory course to Computer-Aided Design (CAD) Modeling and how those models can be used in real-world applications. This course will explore the use of Rhino to create interactive models that represent imagined designs for manufacturing, architecture, and spatial sketching. Particular attention will be paid to how computer models relate to specific measurements, spaces, context, and future outputs. This course aims to build technical skills but will also consider aesthetics, functionality, and design concepts.

Studio Practice: Combined Forms — DAN4832B.01, section 1

Instructor: Katie Swords Thurman
Days & Time: MO 10:00am-11:50am
Credits: 1

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

TMD: Practice + Process — DAN4831B.02, section 2

Instructor: Katie Swords Thurman
Days & Time: TU,FR 4:10pm-6:00pm
Credits: 2

Each Practice + Process course is designed around the research/pedagogic interests of the faculty member leading the class. The overall curricular structure positions studio practice, creative process and critical reading, thinking and languaging as integrated elements within one course, enabling students to move between modes of learning, reflection and making.

 

Studio Practice: Combined Forms — DAN4832B.02, section 2

Instructor: Katie Swords Thurman
Days & Time: MO,TH 10:00am-11:50am
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Advanced Improvisation for an Age of Uncertainty — APA4212.01

Instructor: Susan Sgorbati
Days & Time: WE 2:10pm-4:00pm
Credits: 2

This is an advanced improvisation class for students from all disciplines. We will learn the concepts of complexity and advance our skills in pattern recognition, self-organization, emergent structuring, and development of movement, verbal, visual and design vocabularies. Collaborative processes will be explored to further different forms of creative practices, both to address an artistic practice and a dialogic practice.

DeltasUNite: The United Nations Convention on Saving the River Deltas — APA2192.01

Instructor: Susan Sgorbati
Days & Time: WE 10:00am-11:50am
Credits: 2

This class will examine the current diplomacy and process of a new Convention for the United Nations on Conserving the River Deltas. We will hear from some of the lead partners on the project: The Transboundary Water In-Cooperation Network (TWIN), co-founded by CAPA and the Institute for Environmental Diplomacy and Security at the University of Vermont, and the African Centre for Climate Action and Rural Development (ACCARD) directed by Freeman Oluohor.

Modern Logic (Summer Course) — CS2142.01

Instructor: Darcy Otto
Days & Time: MO,TH 7:00pm-8:50pm
Credits: 2

Formal logic is the study of the structure of reasoning itself鈥攈ow arguments are built, when they succeed, and why they fail. In an age of information overload, knowing how to dissect an argument, detect reasoning errors, and construct rigorous proofs is a superpower. This course introduces the foundations of formal logic, with an emphasis on precision, clarity, and critical thinking tools. From everyday statements to abstract puzzles, you will learn how to translate ideas into symbolic form and test their validity.

Beyond Plastic Pollution — APA2334.01

Instructor: Judith Enck
Days & Time: WE 7:00pm-8:50pm
Credits: 1

Plastic pollution has emerged as a significant environmental issue in the past few years, particularly on how plastics affects health, environmental justice, climate change and water quality.  This is an environmental policy class iwth a focus on public action.  This class will explore the dimensions of the production, use and disposal of plastics and the need for innovation.  In the spirit of 51成人猎奇's Center for the Advancement of Public Action (CAPA),much of the assigned homework will include taking public action.