Ceramics

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Term
Time & Day Offered
Level
Credits
Course Duration

Advanced Ceramics Projects: Self and Clay — CER4252.01

Instructor: Anina Major
Days & Time: TU 2:10pm-5:50pm
Credits: 4

Sculpture and vessels are realized through an exchange between the medium and the self. The class will begin with the question:

What is Sculpture?

What is a Vessel?

Projects will push forward conceptual topics specific to sculpture and vessels including form and presence, the body, light and illusion upon form, the transformation of

CUPS: Mold Making and Slip Casting — CER2208.01

Instructor: Yoko Inoue
Days & Time: WE 2:10pm-5:50pm
Credits: 4

This is an introductory course of basic mold making and slip casting techniques for producing components to create a series of functional ware. This course focuses on the development of design concepts through exploration of slip casting methods, application of alteration and assemblage techniques and experimentation of prototype

CUPS: Mold Making and Slip Casting Production Lab — CER2127.01

Instructor: Yoko Inoue
Days & Time: TBA
Credits: 2

This lab class is structured for students who are registered for CER2208 CUPS: Slip Casting and Mold Making to achieve production goals. The two-hour mandatory lab will be guided by the faculty so that students can receive technical guidance and adequate support to establish their studio production practices and expand their

Kilns and Firing Techniques — CER4203.01

Instructor: Anina Major
Days & Time: WE 2:10pm-5:50pm
Credits: 4

This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development

Sculptural Equilibrium: Contemporary Context of Ikebana — CER4206.01

Instructor: Yoko Inoue
Days & Time: TH 1:40pm-5:20pm
Credits: 4

Understanding the form of a container is an integral part of the aesthetic reconfiguration of nature in Ikebana. The concept of activating an interior architectural space with collected cut plants and their arrangement stems from ancient Japanese animism. The container is considered a mysterious receptacle for the sustainability of

The Hand as Tool — CER2317.01

Instructor: Anina Major
Days & Time: TU 8:30am-12:10pm
Credits: 4

Clay responds directly to touch, retains memory and is forced through the dynamic process of firing to fix a point in time. This class will introduce students to a variety of hand-building techniques to construct sculptural and/or utilitarian forms. Students will develop their skills by practicing techniques demonstrated in class. Through making, students’ skills will