51³ÉÈËÁÔÆæ

Sustainable development has been defined as development that meets the needs of the present without compromising the ability of future generations to meet their own needs. It calls for concerted efforts towards building an inclusive, sustainable, and resilient future for people and planet. For sustainable development to be achieved, it is crucial to harmonize three core elements: economic growth, social inclusion, and environmental protection. Ending poverty in all forms is vital.

Clay responds directly to touch, retains memory and is forced through the dynamic process of firing to fix a point in time. This class will introduce students to a variety of hand-building techniques to construct sculptural and/or utilitarian forms. Students will develop their skills by practicing techniques demonstrated in class. Through making, students’ skills will increase, granting more confidence, and allowing more control over the objects they wish to realize.

This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development of wares, kiln building, and the theoretical basis for kiln design and firing. Students will be expected to develop and produce work independently outside of class time for use in the firings.

Sculpture and vessels are realized through an exchange between the medium and the self. The class will begin with the question:

What is Sculpture?

What is a Vessel?

This is an introductory course of basic mold making and slip casting techniques for producing components to create a series of functional ware. This course focuses on the development of design concepts through exploration of slip casting methods, application of alteration and assemblage techniques and experimentation of prototype makings to produce ceramic multiples (cups).

This lab class is structured for students who are registered for CER2208 CUPS: Slip Casting and Mold Making to achieve production goals. The two-hour mandatory lab will be guided by the faculty so that students can receive technical guidance and adequate support to establish their studio production practices and expand their knowledge and creative capacities. 

This lab class is structured for students who have completed CER2208 CUPS: Slip Casting and Mold Making (or equivalent introductory mold making and slip casting courses) to achieve independent production goals to create a series of  ceramic functional ware (cups). The two-hour weekly lab will be guided by the faculty so that students can receive technical guidance and adequate support to establish their studio production practices and expand their knowledge and creative capacities. 

Understanding the form of a container is an integral part of the aesthetic reconfiguration of nature in Ikebana. The concept of activating an interior architectural space with collected cut plants and their arrangement stems from ancient Japanese animism. The container is considered a mysterious receptacle for the sustainability of life and acts as a symbolic focal point in its spatial context.

This is an introductory course to international public law and its relevance in today’s complex and interconnected world. 

Journalism & Democracy is the result of a grant and partnership with the Center for Community News at the University of Vermont, a national network of student journalism programs around the United States. The course recognizes the essential role that the arts and culture play in a healthy democracy.

This is an advanced improvisation class for students from all disciplines. We will learn the concepts of complexity and advance our skills in pattern recognition, self-organization, emergent structuring, and development of movement, verbal, visual and design vocabularies. Collaborative processes will be explored to further different forms of creative practices, both to address an artistic practice and a dialogic practice.

This class will examine the current diplomacy and process of a new Convention for the United Nations on Conserving the River Deltas. We will hear from some of the lead partners on the project: The Transboundary Water In-Cooperation Network (TWIN), co-founded by CAPA and the Institute for Environmental Diplomacy and Security at the University of Vermont, and the African Centre for Climate Action and Rural Development (ACCARD) directed by Freeman Oluohor.

In this class we will explore the practice of meditation as a physical and mental training exercise. In class meditation and discussion, as well as outside reading and writing assignments, will explore Eastern and Western persepctives on ourselves and the world.

The ash trees on campus are dying from an introduced beetle. Ash trees make up about 8% of Vermont’s forests and their foliage contributes to our iconic fall colors. They are culturally important trees with deep connections to art from Indigenous basket making to Beyonce’s Louisville slugger in Lemonade. The Emerald Ash Borer (EAB) beetle arrived in North America in Michigan in 2002; it was first confirmed on the Bennington campus in late 2024. The mortality rate of EAB-infested ash trees is 99.97%.

This course is the requirement for all graduate students in the Masters in Public Action program to teach as part of their studies. Students will consult with the Director of the MFA in Public Action to identify the classes, develop the Syllabi, and have ongoing feedback about their teaching and course development. throughout the term. 

This course is required for all graduate students enrolled in the MFA in Public Action program. In-depth research connected to their Plan, their professional work and their teaching is required. This research can take the form of reading, writing, archival work,
interviews and creative practice. A body of research is required at the end of each term related to their studies. 

The Graduate Seminar in Public Action is required of all students in the MFA in Public Action program. This seminar focuses on their current professional work. Each student will identify at the beginning of each term the professional work to be accomplished. This can be located at 51³ÉÈËÁÔÆæ or in another professional venue anywhere in the world. This professional work will be exhibited, shared, published or created over the term. A public sharing of the work is encouraged to a larger audience. 

Plastic pollution has emerged as a significant environmental issue in the past few years, particularly on how plastics affects health, environmental justice, climate change and water quality.  This is an environmental policy class iwth a focus on public action.  This class will explore the dimensions of the production, use and disposal of plastics and the need for innovation.  In the spirit of 51³ÉÈËÁÔÆæ's Center for the Advancement of Public Action (CAPA),much of the assigned homework will include taking public action.

The United States is experiencing unprecedented challenges that are destroying the foundations on which our society was built. Our strongest institutions are faltering under political pressure. The Supreme Court, once an independent arbiter of justice, is rudderless; making decisions based on political ideology rather than the law. The President and Congressional leadership are committed to dismantling social safety nets and slashing scientific investments in education and public health.

In this course, we will explore restorative practices and their origins, principles, strengths and weaknesses, and theories that underlie them.