Search Results

Early Christian and Sufi Mystics — LIT2579.01

Instructor: An Duplan
Days & Time: TU,FR 2:10pm-4:00pm
Credits: 4

Mystics鈥撯揾istorically portrayed as passionate, dangerous, romantic, heretical, satanic鈥撯揳re a thorn in the side of organized religion. From the very beginnings of recorded human time, the presence and practice of mystics has been controversial. Sufi mystic al-Hallaj鈥檚 pronouncement that he was 鈥渢he Truth鈥 was received as blasphemy by the orthodoxy. His execution followed shortly after. Christian mystics of the 4th and 5th centuries were relegated to practicing outside the peripheries of the Roman Empire, in relative secrecy.

Critical Dance Processes: Action Studies — DAN2509B.01

Instructor: Shayla-Vie Jenkins
Days & Time: W 2:10PM-4:00PM, Th 1:40PM-3:30PM
Credits: 4

This course gives students the opportunity to encounter, participate in and design choreographic practices with an emphasis on the vast approaches to process and artistic research that are current and emergent in the expanded field of dance. The course challenges students to develop relationships to performance/performative action as research. We will engage practices where seeing and being seen by each other are central, studying the ways in which witnessing one another in process stimulates and deepens learning.

Genome Jumpstart — BIO2117.01

Instructor: Amie McClellan
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

This course offers an immersive experience into the world of DNA, genes, and genomes in eukaryotic organisms.  In addition to getting a grasp of the foundational biology, students will engage with various online databases and resources, becoming familiar with the computational algorithms and methodologies used to mine and analyze the ever-increasing data generated from whole-genome sequencing, and consider how that improves our understanding of evolutionary relationships amongst organisms based on their molecular fingerprints.  In the second half of the term, students

Protein Research Methods — BIO4109.01

Instructor: Amie McClellan
Days & Time: WE 2:10pm-5:50pm
Credits: 4

Research questions in cell biology and biochemistry often require the ability to study the proteins at the heart of the inquiry.  This course will give students hands-on experience quantifying proteins, detecting protein expression, measuring enzymatic activity, assessing protein-protein interactions, purifying proteins, and visualizing fluorescently-labeled proteins in vivo.

Neuroscience — BIO4437.01

Instructor: Blake Jones
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

This rigorous course provides a comprehensive introduction of the nervous system, including its structure, function, and development. Students will explore the principles of the cellular and molecular mechanisms that allow neurons and other specialized nervous cells to detect, encode, and transmit information; including signaling, synaptic transmission, and neuroplasticity.

Scanning Electron Microscopy Research Methods — ES4107.01

Instructor: Tim Schroeder
Days & Time: TU 2:10pm-4:00pm
Credits: 2

Scanning electron microscopes are a fundamental tool in the physical and life sciences. When equipped with an X-Ray spectrometer, a SEM can provide rapid physical and chemical data of specimens on extremely small scales. This class with cover the theory and practical applications of SEM imaging and analysis for advanced science students who have their own research interests. Students will be expected to develop and conduct an independent research project through this class.

How to Build a Forest — BIO2131.01

Instructor: Caitlin McDonough MacKenzie
Days & Time: TU,FR 2:10pm-4:00pm
Credits: 4

Bennington鈥檚 campus supports beautiful examples of temperate deciduous mixed hardwood forests. This class is a deep dive into forest ecology, land use change, and forest succession at a local scale. Students will explore the local forest community composition, structure, and function over the last 15,000 years and discuss the environmental conditions, disturbance dynamics, and biotic interactions responsible for the forest we have today.

Evolution — BIO4440.01

Instructor: Blake Jones
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

Evolution is the unifying theory of biology, explaining the diversity of life on Earth and the mechanisms that drive adaptation and speciation. This course will explore the core principles of evolutionary biology, including natural selection, genetic drift, gene flow, mutation, and the interplay between evolutionary processes and ecological contexts. We will examine key evolutionary events, from the origins of life to the development of complex traits, using case studies across diverse taxa.

Critical Dance Studies — DAN4830B.01

Instructor: Emily Wexler
Days & Time: W 10:00AM-11:50AM & 7:00PM-8:50PM
Credits: 4

This course looks through multiple modes of questioning, research, and a critically theoretical lens to put into consideration the complex ways that dance shapes and reflects our lives. We will look to scholars, artists, thinkers, and ourselves to process the elliptical paths people take to understand material existence through the relationality of dance. We will try to bring a scope of questioning to regard dance as an artistic practice which illuminates the continuum of time rooted in the lived phenomena of recognizing aliveness as it is lived.

Critical Dance Processes: Research Studies — DAN4801B.01

Instructor: Donna Faye Burchfield
Days & Time: W 2:10PM-4:00PM, Th 1:40PM-3:30PM
Credits: 4

This course utilizes a seminar and workshop format focusing on conceptual, relational, and material frameworks of the choreographic. Through shaping a bibliographic course archive, we will source current developments within the field of contemporary art making. The class investigations, projects and discussions will yield imaginative and experimental directions for student鈥檚 development towards a senior thesis project.

Performance Pedagogies of Dance — DAN4816B.01, section 1

Instructor: Faculty TBA
Days & Time:
Credits: 3 (BFA Only)

PODs offer students the opportunity to make connections through multiple access points, especially in areas of performance. PODs are designed to help students recognize the tools and methodologies used in their own creative work both as performers and as choreographers. Structurally each POD is identified by a unique topic. PODs have required rehearsal times and culminate in a public showing.

The artist will create an original work with BFA students through an intensive research and rehearsal process.

Performance Pedagogies of Dance — DAN4816B.02, section 2

Instructor: Faculty TBA
Days & Time:
Credits: 6

PODs offer students the opportunity to make connections through multiple access points, especially in areas of performance. PODs are designed to help students recognize the tools and methodologies used in their own creative work both as performers and as choreographers. Structurally each POD is identified by a unique topic. PODs have required rehearsal times and culminate in a public showing.

The artist will create an original work with BFA students through an intensive research and rehearsal process.

Senior Seminar — DAN4802B.01

Instructor: Faculty TBA
Days & Time: TU 2:10pm-4:00pm
Credits: 2

This seminar course explores and enacts multidirectional modes of research in and through dance. The course moves through lectures, workshops and experiments that activate processes of creation/performance and guide each student in the development of a portfolio of documents related to professional practice. Students will create social and public platforms for their research and engage in dialogues related to sustainability, equity, and possibility within the field of dance.

Senior Thesis Workshop — DAN4803B.01, section 1

Instructor: Jesse Zaritt
Days & Time: W 8:30AM-9:50AM, F 2:10PM-4:00PM
Credits: 4

This course is designed to be the culmination of the BFA program for all dance majors. Each student will propose a thesis project, develop goals and objectives for the semester, and present their work. Modes of practicing, situating and expressing thesis project research will be mobilized and extended through ongoing critical dialogue. We will attend to, in practice, the urgent questions facing our lives and the field of dance and performance. 

Senior Thesis Workshop — DAN4803B.02, section 2

Instructor: Shayla-Vie Jenkins
Days & Time: W 8:30AM-9:50AM, F 2:10PM-4:00PM
Credits: 4

This course is designed to be the culmination of the BFA program for all dance majors. Each student will propose a thesis project, develop goals and objectives for the semester, and present their work. Modes of practicing, situating and expressing thesis project research will be mobilized and extended through ongoing critical dialogue. We will attend to, in practice, the urgent questions facing our lives and the field of dance and performance. 

Practice + Process — DAN4831B.01, section 1

Instructor: Faculty TBA
Days & Time:
Credits: 3 (BFA Only)

Each Practice + Process course is designed around the research/pedagogic interests of the faculty member leading the class. The overall curricular structure positions studio practice, creative process and critical reading, thinking and languaging as integrated elements within one course, enabling students to move between modes of learning, reflection and making.

Module dates: September 2-23

Practice + Process — DAN4831B.02, section 2

Instructor: Faculty TBA
Days & Time: M 3:40PM-5:30PM, T 4:10PM-6:00PM & 7:00PM-8:50PM, W 4:10PM-6:00PM, Th 3:40PM-5:30PM, F 4:10PM-6:00PM
Credits: 3 (BFA Only)

Each Practice + Process course is designed around the research/pedagogic interests of the faculty member leading the class. The overall curricular structure positions studio practice, creative process and critical reading, thinking and languaging as integrated elements within one course, enabling students to move between modes of learning, reflection and making.

Module dates: September 23-October 16

Practice + Process — DAN4831B.03, section 3

Instructor: Faculty TBA
Days & Time: M 3:40PM-5:30PM, T 4:10PM-6:00PM & 7:00PM-8:50PM, W 4:10PM-6:00PM, Th 3:40PM-5:30PM, F 4:10PM-6:00PM
Credits: 3 (BFA Only)

Each Practice + Process course is designed around the research/pedagogic interests of the faculty member leading the class. The overall curricular structure positions studio practice, creative process and critical reading, thinking and languaging as integrated elements within one course, enabling students to move between modes of learning, reflection and making.

Module dates: October 21-November 13

Practice + Process — DAN4831B.04, section 4

Instructor: Faculty TBA
Days & Time: M 3:40PM-5:30PM, T 4:10PM-6:00PM & 7:00PM-8:50PM, W 4:10PM-6:00PM, Th 3:40PM-5:30PM, F 4:10PM-6:00PM
Credits: 3 (BFA Only)

Each Practice + Process course is designed around the research/pedagogic interests of the faculty member leading the class. The overall curricular structure positions studio practice, creative process and critical reading, thinking and languaging as integrated elements within one course, enabling students to move between modes of learning, reflection and making.

Module dates: November 19-December 12

Studio Practice — DAN4832B.01, section 1

Instructor: Faculty TBA
Days & Time:
Credits: 1

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice — DAN4832B.02, section 2

Instructor: Faculty TBA
Days & Time:
Credits: 1

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice: Ballet — DAN4815B.01, section 1

Instructor: Faculty TBA
Days & Time: MO,WE,TH 8:30am-9:50am
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice: Ballet — DAN4815B.02, section 2

Instructor: Faculty TBA
Days & Time: MO,WE,TH 8:30am-9:50am
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice: Ballet — DAN4815B.03, section 3

Instructor: Faculty TBA
Days & Time: TU,FR 8:30am-10:20am
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice: Ballet — DAN4815B.04, section 4

Instructor: Faculty TBA
Days & Time: TU,FR 8:30am-10:20am
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice — DAN4832B.03, section 3

Instructor: Faculty TBA
Days & Time: MO,TH 10:00am-11:50am
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice — DAN4832B.04, section 4

Instructor: Faculty TBA
Days & Time: MO,TH 10:00am-11:50am
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice — DAN4832B.05, section 5

Instructor: Faculty TBA
Days & Time: TU,FR 10:30am-12:20pm
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice — DAN4832B.06, section 6

Instructor: Faculty TBA
Days & Time: TU,FR 10:30am-12:20pm
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.