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Digital Image Compositing — DES2106.01

Instructor: Gus Ramirez
Days & Time: MO 10:00am-11:50am
Credits: 2

Beyond its use in commercial and fine art photography, image compositing is a useful tool for artists and designers more broadly. This course will cover processing, combining, and editing images in Adobe Photoshop to an intermediate level. Students will learn about the Photoshop interface, and how to work with images using filters, masks, levels, color and saturation controls, and a variety of selection and editing tools to create digital collages and composites. Student work will culminate in a large-format printed project.

Picture Pattern Paper Model — DES4105.01

Instructor: Farhad Mirza
Days & Time: TH 8:30am-12:10pm
Credits: 4

In this course, we will explore the visual and spatial potential of cut paper models. The course will begin with a number of directed drawing and model-making exercises, and end with original work made with paper, knives, and glue. Students will study and do research on paper models by a variety of contemporary artists and architects鈥揨arina鈥檚 paper houses, Siah Armajani鈥檚 bridges, James Casebere鈥檚 abandoned tabletop constructions, Bodys Isek Kingelez鈥檚 dazzling utopian propositions, and many others.

CUPS: Mold Making and Slip Casting — CER2208.01

Instructor: Yoko Inoue
Days & Time: WE 2:10pm-5:50pm
Credits: 4

This is an introductory course of basic mold making and slip casting techniques for producing components to create a series of functional ware. This course focuses on the development of design concepts through exploration of slip casting methods, application of alteration and assemblage techniques and experimentation of prototype makings to produce ceramic multiples (cups).

Chromophilia: Investigations in Color — VA4409.01

Instructor: Ann Pibal
Days & Time: MO 1:40pm-5:20pm
Credits: 4

Chromophilia, refers to intense passion and love for color. What is it about color that has the power to induce reverie, and conversely to manipulate, or disgust? How does color work? What is the role of color in visual art? In language? How do we understand and respond to color from phenomenological, poetic, philosophical, and societal vantage points? How as artists can we become effective stewards of our passionately-loved and yet ever-shifting chroma?

CUPS: Mold Making and Slip Casting Production Lab — CER2127.01

Instructor: Yoko Inoue
Days & Time:
Credits: 2

This lab class is structured for students who are registered for CER2208 CUPS: Slip Casting and Mold Making to achieve production goals. The two-hour mandatory lab will be guided by the faculty so that students can receive technical guidance and adequate support to establish their studio production practices and expand their knowledge and creative capacities. 

CUPS Tablescape Design Project: Slip Casting Production Lab — CER4254.01

Instructor: Yoko Inoue
Days & Time:
Credits: 2

This lab class is structured for students who have completed CER2208 CUPS: Slip Casting and Mold Making (or equivalent introductory mold making and slip casting courses) to achieve independent production goals to create a series of  ceramic functional ware (cups). The two-hour weekly lab will be guided by the faculty so that students can receive technical guidance and adequate support to establish their studio production practices and expand their knowledge and creative capacities. 

Introduction to Relief Printing — PRI2105.01

Instructor: Thorsten Dennerline
Days & Time: TU 2:10pm-5:50pm
Credits: 4

This course is an introductory level print media and drawing class. Students will learn about relief printmaking through demonstrations of techniques, hands-on experience, and critiques. Techniques include but are not limited to wood cut and linoleum cut. With this simple process, we will be able to explore color printing in depth. This course is also an introduction to making 2D images and the study of visual language. Students who have experience beyond the introductory level are welcome.

Modern Guitar — MIN4224.01

Instructor: Hui Cox
Days & Time:
Credits: 2

Modern Guitar is a one on one private lesson.  Occasionally if two students are about the same level the class will accommodate two students at a time.

It is expected that a firm grasp of all the concepts taught in Beginning and Intermediate Guitar are fully understood.

If you haven鈥檛 taken these classes you would have to audition to receive the instructors permission to demonstrate skills.

World Building: Designing Characters and World They Live In — DES2109.01

Instructor: Tilly Grimes
Days & Time: MO 10:00am-11:50am
Credits: 2

Every fictional universe has its own history, culture, geography, and ecology that act as a backdrop to the narratives that inhabit it.  This course will investigate the relationship between such a fantastical place and its characters 鈥 with a particular emphasis on the philosophy and symbology of the characters and their clothes.

Clothes: Reduce, Reuse, Redux — DES2108.01

Instructor: Tilly Grimes
Days & Time: TU 8:30am-12:10pm
Credits: 2

A sustainable design process with found clothing 

Every year, roughly 92 million tons of clothing end up in landfills. This course seeks to support students rescuing our cast-offs by upcycling fast fashion. Students will explore how to deconstruct garments, rethink their intention, and reconstruct them anew. 

Dining Culture in Taiwan — CHI2131.01

Instructor: Ginger Lin
Days & Time: T/W/F 7:00PM-8:20PM
Credits: 5

鈥淗ave you eaten yet?鈥 This common Chinese greeting is just one of many common phrases that shows the centrality of food to Taiwanese and Chinese culture. In this course we will focus on the theme of Chinese and Taiwanese food and dining culture as an entr茅e into the study of Chinese language and culture. As Chinese grammar is very simple with no verb conjugation, no plural, no gender, no articles or subject and object forms, it is very easy to speak Chinese.

Zen Buddhism — CHI4218.01

Instructor: Ginger Lin
Days & Time: TU,FR 4:10pm-6:00pm
Credits: 4

Although it was born in India, Buddhism has had a deep and profound influence on Chinese and East Asian culture, but this philosophy remains relevant to modern life in both the East and West. Students will be introduced to the spirit of Buddhism through modern Mandarin interpretations of classic Chinese Buddhist poems and stories. Students will explore Chinese Buddhist concepts while building on their competencies in listening, speaking, reading and writing Mandarin Chinese.

Post-Mao Chinese Rock and Roll — CHI4511.01

Instructor: Ginger Lin
Days & Time: TU,FR 2:10pm-4:00pm
Credits: 4

This course examines the evolution of Chinese rock music in the post-Mao era, focusing on influential artists such as Cui Jian, Dou Wei, and Zuo Xiao Zu Zhou. Their lyrics not only reflect significant historical and social transformations in China after Mao but also capture the cultural shifts brought by economic reforms, the one-child policy, and the experiences of migrant workers in major cities.

Modeling and Thinking in Rhino 8 — DES2110.01

Instructor: Derek Parker
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 2

Modeling and Thinking in Rhino 8 is an introductory course to Computer-Aided Design (CAD) Modeling and how those models can be used in real-world applications. This course will explore the use of Rhino to create interactive models that represent imagined designs for manufacturing, architecture, and spatial sketching. Particular attention will be paid to how computer models relate to specific measurements, spaces, context, and future outputs. This course aims to build technical skills but will also consider aesthetics, functionality, and design concepts.

Space Shaping Image Making: Readings — ARC2207.01

Instructor: Farhad Mirza
Days & Time: TU 2:10pm-4:00pm
Credits: 2

鈥淣ot long ago, a near prerequisite for vanguard architecture was an engagement with theory; lately it has become an acquaintance with art鈥 or so observed Hal Foster in his 2011 book 鈥楾he Art Architecture Complex.鈥 While ideas about what constitutes cutting edge architecture may have transformed in the decade since, entanglements between art and architecture and the reciprocal effects that they have on each other remain central to architectural discourse.

Space Shaping Image Making II: Readings — ARC4119.01

Instructor: Farhad Mirza
Days & Time: TU 4:10pm-6:00pm
Credits: 2

鈥淣ot long ago, a near prerequisite for vanguard architecture was an engagement with theory; lately it has become an acquaintance with art鈥 or so observed Hal Foster in his 2011 book 鈥楾he Art Architecture Complex.鈥 While ideas about what constitutes cutting edge architecture may have transformed in the decade since, entanglements between art and architecture and the reciprocal effects that they have on each other remain central to architectural discourse.

Space Shaping Image Making — ARC2208.01

Instructor: Farhad Mirza
Days & Time: WE 10:00am-11:50am & WE 2:10pm-4:00pm
Credits: 4

Can architecture be understood in the same terms as a photograph? A piece of writing? A painting? A film? Or does it require its own vocabulary, rules, precedents, and sensibilities?

Letterpress Printing from Metal, Wood, and Photopolymer — PRI4697.01

Instructor: Thorsten Dennerline
Days & Time: WE 10:00am-11:50am & WE 2:10pm-4:00pm
Credits: 4

In this intermediate level course, we will focus on learning letterpress printing within a framework of making visual art. This can be a precision process and it affords a huge range of possibilities for artists who wish to work with multiples and/or use text in their work. It is a rigorous course and each student will develop and design print projects that develop both their technical and conceptual skills. Reading will be assigned each week to expand on knowledge and give context for projects.