Spring 2025

Course System Home Course Listing Spring 2025

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Showing 25 Results of 343

In the Eastern, Green Mountains: Poetry through an Experimental Buddhist Lens — LIT2568.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
While we conventionally read poetry through a western critical academic lens, in this course, we will approach western poetry from an experimental eastern lens, in an effort to experience the mutually illuminating relationship between poetry and contemplative study and deepen our relationship to the mystical nature of American poetry. In the first part of the semester,

Independent Study — DAN5410B.01

Instructor: Donna Faye Burchfield
Days & Time:
Credits:
Students propose an independent study plan with approval from Donna Faye Burchfield and select an approved thinking partner/mentor. Credits to be determined between faculty and student.

Individualized Lab — DAN5403B.01

Instructor: Donna Faye Burchfield
Days & Time:
Credits:
This course allows students to self-design practice/research by combining topics and approaches from the Practice LABs and/or the Studies LABs to meet required hours. The Labs take the form of a series of workshops, and include both lecture/discussion and studio formats. 

Individualized Practice — DAN5400B.01

Instructor: Donna Faye Burchfield
Days & Time:
Credits:
Through mentor approved independent work, students develop and schedule their own weekly creative practices using student-initiated resources and/or classes.  In consultation with mentors, students develop a weekly practice that extends and/or expands their creative practice and research. Mentors guide students through the plan that may include a

Individualized Studio Practice + Process — DAN4817B.01

Instructor: Tania Perez
Days & Time:
Credits:
Students will work with their advisor to self design study in practices + processes through combining and creating new pathways through the curriculum. *BFA students may take the Studio Practice + Process course for CS credit.

Inequality in a Globalized World — ANT2457.01

Instructor: Miroslava Prazak
Days & Time:
Credits: 4
Globalization has transformed the way we live. The world is experiencing an unprecedented interaction of people, ideas, images, and things that continues to intensify. Communication technologies link people instantaneously across the globe. Economic activities challenge national boundaries. People are on the move within and between countries. The complexities of the global

Insider Perspectives on the Francophone World II — FRE4224.01

Instructor: No毛lle Rouxel-Cubberly
Days & Time:
Credits: 5
Viewed from the outside, the French-speaking world offers enticing images of beauty, pleasure, and freedom. From the inside, however, it is a complicated, often contradictory world where implicit codes and values shape the most basic aspects of daily life. This course will give you an insider使s perspective on a cultural and communicative system whose ideas, customs, and belief

Intermediate Drawing: Beyond Representation — DRW4103.01

Instructor: Beverly Acha
Days & Time:
Credits: 4
In this intermediate drawing course students will expand on basic representational drawing skills through the investigation of the ways drawing is interdisciplinary, intersecting with painting, sculpture, printmaking, and performance. For inspiration along the way we will study artists who work in interdisciplinary ways including: Ana Mendieta, Mirtha Dermisache, David

Intermediate Drum Set (Fundamentals) — MIN4023.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
This course is for students who have experience in playing drum set. In this 7 week class, students will fine-tune their stick control, hi-hat, cymbal, and bass drum technique, grooves, and drum fills. Listening, viewing, and reviewing drummers who have contributed to the innovation of the art of the drum set is a weekly part of our class discussion. We will use 2 drum sets in

Intermediate Ear Training — MTH4284.01

Instructor: Nicholas Brooke
Days & Time:
Credits: 2
In this course, students will develop intermediate skills in aural perception, learning to visualize, sing, and notate music through melodic, harmonic, and rhythmic exercises. Classwork will include singing melodies with solfege (prepared and at sight); performing rhythms, eventually incorporating syncopation, cross-rhythms, small subdivisions, and changing meters; taking

Intermediate Guitar — MIN4025.01

Instructor: John Kirk
Days & Time:
Credits: 2
Instrumental Study on Guitar. Continued studies from Beginning Guitar. Advanced study in fret-board harmony and theory, play in different tunings, increase chord vocabulary and repertoire.

Intermediate Painting: Beyond the Easel — PAI4218.01

Instructor: J Blackwell
Days & Time:
Credits: 4
In the summer of 1943, Peggy Guggenheim commissioned Jackson Pollock to create a monumental painting. Marcel Duchamp suggested that Pollock use a canvas instead of painting directly on a wall, ensuring the work could be moved. Pollock later wrote of the project, "I鈥檝e had to tear out the partition between the front and middle room [of my apartment] to get the damned thing up. I

Intermediate Painting: Facture — PAI4106.01) (cancelled 10/7/2024

Instructor: J Blackwell
Days & Time:
Credits: 4
鈥淔acture refers to the manner in which a painting, drawing, or object is made. It is the combination of brushstrokes, marks, material, and the texture of the surface. Facture is critical to the success of any object. Much of the fascination that accrues to all manual media comes from what can be observed at close range. That distance reveals the foundation, the touch, the

Intermediate Piano — MIN4236.01

Instructor: Yoshiko Sato
Days & Time:
Credits: 2
This course is intended for students with some playing and reading experience, who have passed Piano Lab I or its equivalent. The goals of this course are to gain ease and dexterity at the keyboard, further developing a con铿乨ent piano technique, musical expression, and the skill of reading musical notation. Students will expand upon a repertoire of scales and chords. They will

Intermediate Video: The Archive — FV4332.01

Instructor: Laura Sof铆a P茅rez
Days & Time:
Credits: 4
Intermediate Video builds on the concepts and technical skills introduced in Intro to Video, and has a different theme each term. During this semester of Intermediate Video we will focus on the thematic of the archive and the role of the video artist as archivist. How may an archive inform our video work? How do we interact with or readdress a museum or institution archive? How

Intermediate Voice — MVO4301.01, section 1

Instructor: Virginia Kelsey
Days & Time:
Credits: 2
For students of varying levels of singing ability. Vocal production and physiology will be discussed. Group warm-ups and vocalizations will incorporate exercises to develop breath control, resonance, projection, range, color, and agility. The fundamental concepts of singing will be explored in the preparation of specific song assignments. Personalization of text and emotional

Intermediate Voice — MVO4301.02, section 2

Instructor: Virginia Kelsey
Days & Time:
Credits: 2
For students of varying levels of singing ability. Vocal production and physiology will be discussed. Group warm-ups and vocalizations will incorporate exercises to develop breath control, resonance, projection, range, color, and agility. The fundamental concepts of singing will be explored in the preparation of specific song assignments. Personalization of text and emotional

Intermediate Voice — MVO4301.03, section 3

Instructor: Kerry Ryer-Parke
Days & Time:
Credits: 2
For students of varying levels of singing ability. Vocal production and physiology will be discussed. Group warm-ups and vocalizations will incorporate exercises to develop breath control, resonance, projection, range, color, and agility. The fundamental concepts of singing will be explored in the preparation of specific song assignments. Personalization of text and emotional

Intro to Maps and Geographic Information Systems — ES2110.01

Instructor: Tim Schroeder
Days & Time:
Credits: 4
This is an introductory course on the theory and practice of analyzing and displaying geo-spatial information. The methods that students will learn have wide-ranging applications in the natural and social sciences. Students will learn how to utilize mapping and spatial geographic information systems software to analyze patterns within spatial datasets and communicate

Intro to Scene Painting — DRA2168.01

Instructor: Seancolin Hankins
Days & Time:
Credits: 2
This class will introduce students to the fundamentals of scenic art, including terminology, and commonly used tools and techniques. Students will learn to create processes that will guide them from a rendering or scenic finish to a completed project. Skills we will develop include color mixing, surface preparation for soft goods and hard scenery, translating small renderings

Intro to VR — MA2128.01

Instructor: John Crowe
Days & Time:
Credits: 2
Introduction to VR will cover the basics of VR hardware, 360 video acquisition, and content production for 3D environments. No experience is required; we will evaluate VR experiences, and design and test our created experiences. Unity and Adobe software will be used to build prototype immersive experiences. While not focusing on game development, this course will explore

Intro to Woodshop — SCU2306.01) (time change as of 11/8/2024

Instructor: Olivia Saporito聽
Days & Time:
Credits: 2
Have you ever wanted to understand how to safely build some of the most basic things and not know where to start?  The course is developed for students who want to learn the fundamentals to operate the many tools and machinery the Bennington woodshop has to offer. Students will undertake many tasks that will help develop technical skills and how to utilize the woodshop as

Introduction to Computer Science 2: Algorithms and Application — CS4384.01

Instructor: Darcy Otto
Days & Time:
Credits: 4
Embark on a deeper exploration of computer science, where the focus shifts from programming and foundations of computer science, to the intricacies of algorithms and their real-world applications. This course reinforces and builds upon the concepts introduced in Introduction to CS 1, and provides an introduction to algorithm design, data analysis, and the practical application

Introduction to Cybersecurity — CS4388.01) (cancelled 5/10/2024

Instructor: Meltem Ballan
Days & Time:
Credits: 4
Introduction to Cybersecurity provides students with an overview of the fundamental concepts, principles, and practices in the field of cybersecurity. The course covers various topics including the cybersecurity landscape, international and national perspectives, legal considerations, threat actors, and more. Students will gain insights into the importance of cybersecurity,

Introduction to Dramaturgy — DRA4281.01

Instructor: Maya Cantu
Days & Time:
Credits: 4
The dramaturg serves as a powerful medium in the theatre. They bridge the past and the present, the creative team and the audience, while providing critical generosity and historical and literary insight. In this course, we will learn about the history and practice of dramaturgy, while learning how the critical and research skills of the dramaturg can apply to a wide array of