Fall 2023

Course System Home Course Listing Fall 2023

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Showing 25 Results of 273

Mandolin — MIN2229.01

Instructor: John Kirk
Days & Time:
Credits: 2
Beginning, intermediate and advanced group lessons on the mandolin will be offered. Students will learn classical technique on the mandolin and start to develop a repertoire of classical and traditional folk pieces. Simple song sheets with chords, tablature, and standard notation, chord theory, and scale work will all be used to further skills. History of the Italian origins of

Metal Casting: Iron and Aluminum — SCU2211.01) (cancelled 5/11/2023

Instructor: John Umphlett
Days & Time:
Credits: 2
This course is designed to introduce students to the processes involved in casting iron and aluminum. Students will work with foundry wax and learn how to produce a sculpted object either by hand or that of some other method covered in class. These additional methods could include machining parts, 3d printing objects, or casting from the body. After a form has been produced,

Metal Workshop — SCU2107.02) (cancelled 5/11/2023

Instructor: John Umphlett
Days & Time:
Credits: 2
This course is recommended for all students considering working in sculpture and interested in mild steel design methods. It is open to all students with a curiosity about materials and building processes. There are fundamental introductions to gas and electric welding (electrode/stick,GMAW), forging (cold and hot), fabrication techniques, and general shop safety. Please note

Minimalism — MTH4210.01

Instructor: Nicholas Brooke
Days & Time:
Credits: 2
An advanced seminar in analyzing the diverse streams of musical minimalism. We鈥檒l look at minimalism鈥檚 conceptual roots in the 1960s, and trace influences from the visual arts and dance, as well as early works of Reich, Glass, Fluxus, Eastman, and the Scratch Orchestra. The seminar will combine on鈥恡he鈥恠core and aural analysis and contrast open score, aurally taught, and

Modeling and Thinking in Rhino 7 — DA2176.01

Instructor: Derek Parker
Days & Time:
Credits: 2
Modeling and Thinking in Rhino 7 is an introductory course to Computer Aided Design (CAD) Modeling and how those models can be used in real-world applications. This course will explore the use of Rhino to create interactive models that represent imagined designs for; manufacturing, architecture, and spatial sketching. Particular attention will be paid to how computer models

Modern Guitar — MIN4224.01) (new faculty 9/4/2023

Instructor: Hui Cox
Days & Time:
Credits: 2
Individual training is available in jazz, modern and classical guitar technique and repertoire, song accompaniment (finger style), improvisation, and arranging and composing for the guitar. Course material is tailored to the interests and level of the individual student.

Modern Music and Jazz Theory — MTH4121.01

Instructor: Jen Allen
Days & Time:
Credits: 4
This course will review both diatonic and modal harmony as it applies to chord structures, chord progressions, scales used in jazz improvisation, how to interpret chord alterations, and how to identify key centers. We will learn how to translate the chord symbols found in 鈥渓ead sheets鈥 (music with only chord symbols and melody) and develop the necessary skills to create

Mouvements — FRE4404.01

Instructor: Stephen Shapiro
Days & Time:
Credits: 4
This course will examine movement--travel, migration, and transition--in the French-speaking world. We'll examine the travel tale as philosophical form (Candide), the sonnet, Orientalism, the graphic novels of Marjane Satrapi, queer movement in the work of Abdellah Ta茂a, the North Atlantic Triangle (Maboula Soumahoro), and the gender transition of Oc茅an. Students will write a

Movement Practice: Dreamtime into Daytime — DAN2020.01

Instructor: Erin Ellen Kelly, MFA Teaching Fellow
Days & Time:
Credits: 2
Wake up your body and mind through a series of moving meditations and exercises using QiGong, the breath, visualizations, and touch that will stimulate the body鈥檚 meridian system and activate a relaxed focus for the day. We will soften pathways in the body with circles, spirals, figure eights and undulating waveforms.  Using QiGong as the foundation, we will also explore

Music Theory I 鈥 Applied Fundamentals — MTH2274.01

Instructor: John Kirk
Days & Time:
Credits: 4
An introduction to music theory course. Music theory fundamentals will be taught utilizing voice (singing) and an instrument in hand. Knowledge of the piano keyboard will be learned and utilized. Curriculum will span the harmonic series, circle of 5ths, scales and chords to ear training, harmonic and rhythmic dictation, and beginning composition. Score reading, listening, and

Music, Gender, and Sexuality in the Middle East — MET2137.01

Instructor: Joseph Alpar
Days & Time:
Credits: 4
This course will examine the construction and experience of gender and sexuality in the Middle East through a musical lens. Drawing on research in ethnomusicology, queer studies, gender studies, Middle Eastern Studies, and other interdisciplinary fields, we will study music-making and other modes of performance as processes of representation, assertion, and sometimes

Musical Forms — MHI2240.01

Instructor: Allen Shawn
Days & Time:
Credits: 2
This class focuses on musical architecture, by examining important and beautiful works from the 18th, 19th and 20th centuries, and discussing the traditional forms they exemplify. We will listen to works by Bach, Mozart, Beethoven, Schumann, Brahms, Mahler, Stravinsky, Prokofiev, Berg, and Rzewski (among others), analyzing their structures in detail. Forms to be studied will

Myths and Legends from the Spanish-Speaking World — SPA2113.01

Instructor: Lena Retamoso Urbano
Days & Time:
Credits: 5
Students with little or no background in Spanish will learn the language through an immersion in the study of wide array of rural, urban, modern, and ancient folk tales from the Spanish-speaking world. An examination of Spanish and Latin American foundational narratives, as well as popular texts and cultural artifacts, will allow students to consider

Narrative Filmmaking — FV2119.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
Make your first short film - from idea to realization! This course is designed specifically for students with basic filmmaking skills or a background in media. The Narrative Filmmaking course provides an intensive introduction to the world of visual storytelling. Tailored to nurture creative talent, this course teaches the fundamentals of screenwriting (developing an idea into

Navigating Media in Institutional History — MS4109.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
In this 4000-level course, students will develop an understanding of the ways in which visual media functions on the practices of archives that document the history of institutions including asylums, hospitals and schools. We will engage with archival sources through interdisciplinary approaches to media studies, drawing on visual culture studies, art history, and material

Network Science — MAT4222.01

Instructor: Katie Montovan
Days & Time:
Credits: 4
A network is a set of nodes (which might be computers, people, websites, proteins, neurons...), some of which are connected by edges (which might be communications lines, friendships, links, transcription regulations, synapses...). This simple concept has amazingly diverse applications and involves surprisingly deep ideas. We will use a combination of proof-based approaches for

Neuroscience — BIO4437.01

Instructor: Blake Jones
Days & Time:
Credits: 4
This rigorous course provides a comprehensive introduction of the nervous system, including its structure, function, and development. Students will explore the principles of the cellular and molecular mechanisms that allow neurons and other specialized nervous cells to detect, encode, and transmit information; including signaling, synaptic transmission, and neuroplasticity.

Papermaking with Plants — SCU2304.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
Papermaking is an ancient, traditional craft with a history that reflects our fundamental humanity. It is a process that simultaneously relies on and reveals the nature of plants and place. Papermaking With Plants engages with the materiality of both paper and plants through observation, hands-on making, inquiry, research, and design. Through this exploration, we will acquire

Paris on Screen: Tradition and Modernity — FRE4498.01

Instructor: Stephen Shapiro
Days & Time:
Credits: 4
In this intermediate-low level course, we will study the representation of the city of Paris on film in order to examine modernity使s challenges to tradition. In particular, we will focus on the question of how urban communities and city dwellers react to increasing disconnectedness, anonymity, and solitude. We will also examine contemporary urban planning and the repercussions

Perceptions of Reality in 20th Century Latin American Literature — SPA4722.01

Instructor: Lena Retamoso Urbano
Days & Time:
Credits: 4
This advanced Spanish course is a study of the different mechanisms that are representative of what Latin American authors of the 20th century use to create a particular way of perceiving reality. By altering perceptions of space and time, rethinking the limits of language, and exploring the inner world of the subject and the unconscious, these authors attempt to produce a new

Performance Project: BRUJX — DAN4362.01

Instructor: luciana achugar, MFA Teaching Fellow
Days & Time:
Credits: 2
In this course we will make a dance, directed by achugar, and perform it at the end of the semester. It is for students with a deep awareness of their bodies in movement and with prior experience performing onstage and being part of a creative dance process, that are interested in being challenged as performers with a rigorous rehearsal process. This work will further explore

Performance Project: Liminality Portal; Dancing Within and Beyond the Frame — DAN4421.01

Instructor: Erin Ellen Kelly, MFA Teaching Fellow
Days & Time:
Credits: 2
In this creative process lab, we will be developing dance and site responsive movement scores to be performed live and in relation to video. During the first seven weeks, we will be cultivating/creating these scores based on rigorous somatic investigation and dance practice, both within the studio and within specific predetermined locations. Throughout this process, students

Performance Project: Pressing Face Against That Window — DAN2017.01

Instructor: Mina Nishimura
Days & Time:
Credits: 2
This performance project course is open to anyone who is interested in a text-based experimental performance, which may not fit in a frame of dance or theater in the traditional sense. Mina Nishimura will facilitate the creative process of making a new text-based performance, Pressing Face Against That Window [working title], written and directed by co-facilitator Kota

Philosophical Reasoning — PHI2109.01

Instructor: Catherine McKeen
Days & Time:
Credits: 4
What is the difference between belief and knowledge? What is it to have a mind? What is really real? Are our actions free? These are some of the questions this first course in philosophy asks. Our investigation will center on the 17th-19th c., a watershed period in Western Europe marked by major political, scientific, religious, and intellectual revolutions. This course has two