Fall 2023

Course System Home Course Listing Fall 2023

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Showing 25 Results of 273

Introduction to Political Ideologies — POL2258.01

Instructor: John Hultgren
Days & Time:
Credits: 2
Whether you know it or not, if you have any opinions on politics, you are influenced by political ideologies. Political ideologies provide powerful frameworks that structure how we understand the world 鈥 influencing how we see policy debates, struggles in the workplace, and our own personal identities. This course will explore five of the most prominent political ideologies -

Introduction To Quantitative Reasoning and Modeling — MAT2102.01

Instructor: Katie Montovan
Days & Time:
Credits: 4
This foundational class covers modes of reasoning used in quantitative sciences and mathematics. While learning the art of mathematical modeling, i.e. translating the physical systems/real-life situations into mathematics, we will apply problem-solving and practice effective communication of mathematics. This process involves isolating the essential variables and interactions,

Introduction to Relief Printing — PRI2105.01

Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introductory level print media and drawing class. Students will learn about relief printmaking through demonstrations of techniques, hands-on experience, and critiques. Techniques include but are not limited to wood cut and linoleum cut. With this simple process, we will be able to explore color printing in depth. This course is also an introduction to making

Introduction to Sound Recording and Mixing — MSR2141.01

Instructor: Senem Pirler
Days & Time:
Credits: 4
This course introduces students to the fundamentals of sound recording/music production techniques and using the medium of sound as a creative form. Students will be introduced to recording techniques through lectures, hands-on exercises, and critical listening sessions. We will cover basic sound acoustics, spot and stereo microphone techniques, field recording techniques,

Introduction to Video — FV2303.02, section 2

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
This production course draws on the energy, intensity and criticality of avant-garde film and contemporary video art practices to introduce students to the fundamentals of working in video and the language of film form. Emphasis on technical instruction, formal experimentation, and critical vocabulary is balanced in order to give students a footing from which to find their own

Introduction to Video — FV2303.01, section 1

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
This production course draws on the energy, intensity and criticality of avant-garde film and contemporary video art practices to introduce students to the fundamentals of working in video and the language of film form. Emphasis on technical instruction, formal experimentation, and critical vocabulary is balanced in order to give students a footing from which to find their own

Introduction to Violin/Viola — MIN2250.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 1
The course is designed for students with no prior string instrument experience. Admission is on a first come first serve basis. Classes will be individual or together with another student. Daily practice (10-15 min.) is expected so students can become familiar and comfortable with the instrument.

Introduction to Web Programming — CS4135.01

Instructor: Meltem Ballan
Days & Time:
Credits: 4
This course provides a highly-interactive introduction to Web Programming using client-side technologies (HTML, CSS, JavaScript) and server-side technologies (Node.js, PHP, databases) to create web pages and web applications. This course provides highly-interactive learning of HTML, CSS, and JavaScript by allowing students to run code directly in the online environment. The

Jazz Ensemble — MPF4250.01

Instructor: Jen Allen
Days & Time:
Credits: 2
This ensemble will perform a wide range of jazz music (a genre that is constantly evolving), with an emphasis on both ensemble playing and improvisation skills. By playing together, students will learn how blues, swing, Latin, and modern music elements have all fueled this music called jazz. Students will also learn how major jazz artists such as Ellington, Monk, Mingus, Wayne

Kilns and Firing Techniques — CER4203.01

Instructor: Anina Major
Days & Time:
Credits: 4
This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development of wares,

Kilns and Firing Techniques — CER2319.01

Instructor: Anina Major
Days & Time:
Credits: 4
This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development of wares,

Knowing the self and the other: Critical explorations of psychoanalytic and psychotherapeutic case studies — PSY2121.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
This course serves as an introduction to psychoanalytic and psychotherapeutic theory and practice. We will focus on clinical case studies and associated theoretical literature, tracing from psychoanalytic foundations to contemporary evidenced-based models. The course prioritizes engagement with original sources, including case studies, provider and client reflections, and

Language and Culture in the Pacific — LIN2108.01

Instructor: Leah Pappas
Days & Time:
Credits: 4
There are approximately 2,000 languages spoken on the islands of Southeast Asia and the Pacific, and they tell us a story of impressive migrations, millennia of contact, and island resilience. We will explore this story by discussing the two primary language groups in the Pacific: the Austronesian language family and the non-Austronesian languages of New Guinea. Tracing two

Language as System and Social Behavior — LIN2101.01

Instructor: Tom Leddy-Cecere
Days & Time:
Credits: 4
In this course, students will examine the building blocks which make up the interlocking systems of language and observe how those systems are enacted and granted layers of meaning through social practice. Beyond developing an understanding of the basic mechanics of sound systems, word-meaning relations, and the expression of grammatical values in languages of the world, we

Language typology: Patterns and universals in language — LIN4110.01

Instructor: Leah Pappas
Days & Time:
Credits: 4
Linguistic typology refers to the classification of languages based on their features. In this course, we鈥檒l conduct a cross-linguistic examination of various concepts pertaining to the sounds, grammar, and meanings of words and phrases. We鈥檒l further consider possible language universals鈥攆eatures that may belong to all languages. Through this focus on linguistic code, we鈥檒l

Latin America: A Paratext — SPA4495.01

Instructor: Jonathan Pitcher
Days & Time:
Credits: 4
This course will consider the often erroneous marketing of twentieth-and twenty-first century Latin America, both from within and beyond its borders, via an open evasion of reading and a privileging of discussion. A combination of the peritext and the epitext, a paratext is everything but the 鈥渢ext鈥 (whether literature, film, music, or a t-shirt) itself. It is hoped that in

Le cin茅ma-monde d鈥橝lice Diop — FRE4723.01) (day/time updated 5/2/2023

Instructor: No毛lle Rouxel-Cubberly
Days & Time:
Credits: 4
Alice Diop has offered, for decades now, a deep and powerful cinematographic representation of France and the world. In this course, students will refine their linguistic, cultural, and critical skills while studying Alice Diop鈥檚 films, from 鈥淟es S茅n茅galaises et la S茅n茅gauloise鈥 (2007) until 鈥淣ous鈥 (2020). Students will also closely examine the composition of her literary and

Life Drawing Lab — DRW2118.01, section 1

Instructor: Colin Brant
Days & Time:
Credits: 2
Drawing Lab provides an opportunity for student artists of all experience levels to further develop their skills with observational-based drawing. Working primarily with the human figure, students build an increased understanding of the poetic, dynamic, and inherently abstract nature of drawing, while paying close attention to the potential of formal elements such as shape,

Life Drawing Lab — DRW2118.02, section 2

Instructor: Colin Brant
Days & Time:
Credits: 2
Drawing Lab provides an opportunity for student artists of all experience levels to further develop their skills with observational-based drawing. Working primarily with the human figure, students build increased understanding of the poetic, dynamic, and inherently abstract nature of drawing, while paying close attention to the potential of formal elements such as shape, line,

Linear Algebra — MAT2482.01) (day/time change as of 5/16/2023

Instructor: Andrew McIntyre
Days & Time:
Credits: 4
Together with calculus, linear algebra is one of the foundations of higher-level mathematics and its applications. This is NOT just the algebra you know from high school. There are several perspectives one can take on linear algebra: it is a method for handling large systems of linear equations, it is a theory of linear geometry (including in dimensions larger than three), it

Literature of the Holocaust — LIT2526.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
Philosopher Theodor Adorno famously claimed that writing poetry after Auschwitz is barbaric. Adorno didn鈥檛 write this statement to silence poets. Specifically referencing the poet Paul Celan, he meant that poetry after the Holocaust would need to be radically different to account for these historic atrocities. We will begin by reading Franz Kafka鈥檚 unfinished novel, The Castle,

Looking closer; making work — SCU4122.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
This course asks each student to work in a self-directed way among a community of critical thinkers. Finding one鈥檚 voice, as a maker, requires researching sources of influence and inspiration. Students are expected to undertake a significant amount of work outside of regular class meetings. At this point in your Visual Arts Education, you must be able to represent serious

Mad Props: Theatrical Property Design and Production — DRA2312.01

Instructor: Seancolin Hankins
Days & Time:
Credits: 2
An exercise in planning, communication, creativity and resourcefulness, property design applies to film, television, and theatrical production. This course will look at theatrical props and set dressing from a property designer鈥檚 perspective. Starting with a script, we will uncover the questions you didn鈥檛 know needed answering in order to comprehensively produce or curate

Making Melody — MCO4134.01

Instructor: Joseph Alpar
Days & Time:
Credits: 2
Melodies are precise, mysterious, and magical in equal measure.  In this course we will try to lift the veil of mystery and explore practices that will aid you in the creation of your own melodies. We will do this through the lens of Irish music, an oral tradition that informs the instructor's own composition. As an oral tradition, Irish music is handed down

Making Sense of World Events — POP2356.03

Instructor: Carly Rudzinski
Days & Time:
Credits: 1
Once again, Gaza has burst into view at the center of world events. More refugee camp than nation-state, Gaza is home to 2.2 million Palestinians (half of whom are under the age of 18) squeezed into a narrow sliver of land 25 miles long and 7 miles wide. One of the most densely populated, barricaded, and now bombed places on the planet, Gaza now demands attention on several