Fall 2025

Course System Home Course Listing Fall 2025

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Showing 25 Results of 289

Intro to International Law — APA2020.03

Instructor: Andy Galindo
Days & Time: TU,FR 10:30am-12:20pm
Credits: 1

This is an introductory course to international public law and its relevance in today鈥檚 complex and interconnected world. 

International law can be considered as the law governing the relations between States, but it also includes relations with international

Introduction to Audio and Sound Design — MSR4371.01

Instructor: Cristian Amigo
Days & Time: M 7:00PM-8:50PM, Tu 4:10PM-6:00PM
Credits: 4

In this introductory course, we will read, examine, discuss, and design in conversation with a selected literature of recorded audio, sound design practice, and history. This course will provide the foundational technical, historical, and contextual/cultural support to your knowledge of working in music and sound design in music, theater,

Introduction to Computer Science 1: Programming and Computer Science — CS2139.01

Instructor: Darcy Otto
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

Have you ever imagined speaking in the language of computers, and transforming your ideas into actions that computers can perform? This course is a gateway to discovering the art and science of programming, a crucial skill that serves as the backbone of computer science. But computer science transcends mere programming. Our actual aim is to nurture your ability to think like

Introduction to Psychology — PSY2245.01

Instructor: Audrey Devost
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

This course provides its students with a deep and expansive exploration of the field of psychology. As a diverse field of study, psychology is broadly defined as the study of human behavior. Psychology has numerous sub-areas of study that take different research approaches to examine biological, social, and cultural factors and

Introduction To Quantitative Reasoning and Modeling — MAT2102.01

Instructor: Katie Montovan
Days & Time: TU,FR 8:30am-10:20am
Credits: 4

This foundational class covers modes of reasoning used in quantitative sciences and mathematics. While learning the art of mathematical modeling, i.e. translating the physical systems/real-life situations into mathematics, we will apply problem solving and practice effective communication of mathematics. This process involves isolating the essential variables and

Introduction to Relief Printing — PRI2105.01

Instructor: Thorsten Dennerline
Days & Time: TU 2:10pm-5:50pm
Credits: 4

This course is an introductory level print media and drawing class. Students will learn about relief printmaking through demonstrations of techniques, hands-on experience, and critiques. Techniques include but are not limited to wood cut and linoleum cut. With this simple process, we will be able to explore color printing in depth. This course is also an

Introduction to Restorative Practices in Systems — APA2195.01

Instructor: Bailey Fox
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

In this course, we will explore restorative practices and their origins, principles, strengths and weaknesses, and theories that underlie them.

This foundation will provide the ability to critically explore restorative justice in the criminal legal system and in educational institutions. We will look at different restorative practice programs in

Introduction to Video — FV2303.01

Instructor: Jen Liu
Days & Time: TU 8:30am-12:10pm
Credits: 4

This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring all basic aspects of film/video production (centered on DSLR cameras), such as cinematography, mise-en

Introduction to Viola — MIN2214.01

Instructor: Ariel Rudiakov
Days & Time: TBA
Credits: 1

The course is designed for students with no prior string instrument experience. Admission is on a first come, first served basis. Classes will be one-on-one, individual lessons.

Daily practice of 10 to 15 minutes is expected, in order for students to become familiar and comfortable with the basic mechanics of playing the viola.

Experience with reading music,

Japanese Art and Society: From Jomon Pottery to Superflat — JPN4714.01

Instructor: Ikuko Yoshida
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

In this intermediate course, students will learn about various art forms in Japan from pottery in the Jomon Era (about 14,000 BC 鈥 300BC) to Takashi Murakami鈥檚 so-called 鈥渟uperflat,鈥 a postmodern art movement, in the Heisei Era (1989 -2019).  As they learn about Japanese art, they will analyze elements of Japanese aesthetics that were shared in various

Japanese Language and Culture Through Art and Pop Culture — JPN2114.01

Instructor: Ikuko Yoshida
Days & Time: MO,WE,TH 8:30am-9:50am
Credits: 5

In this introductory-level Japanese course, students will explore Japan鈥檚 artistic treasures and diverse art forms to examine Japanese visual culture, history, and society while developing and practicing basic listening, speaking, reading, and writing skills in Japanese. This course offers a fun and dynamic way to begin your journey to study the Japanese language and culture

Journalism and Democracy — APA4213.01

Instructor: Brian Campion
Days & Time: TH 1:40pm-5:20pm
Credits: 4

Journalism & Democracy is the result of a grant and partnership with the Center for Community News at the University of Vermont, a national network of student journalism programs around the United States. The course recognizes the essential role that the arts and

Kant Seminar: The Three Critiques — PHI4266.01

Instructor: Paul Voice
Days & Time: WE 2:10pm-5:50pm
Credits: 4

Immanuel Kant (1724-1804) describes his own work in metaphysics by analogy with Copernicus鈥檚 revolution in astronomy. He constructs a system of thought that attempts to move beyond the empiricism of Hume and the rationalism of Leibniz and Wolff. His method 鈥 critique 鈥 and his theory 鈥 transcendental idealism 鈥 have profoundly influenced all subsequent philosophy. In three

Key to Songs — MTH2283.01

Instructor: Nicholas Brooke
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

An intermediate review of theory based on a broad range of pop, classical, and jazz songs from the last centuries and from across the world. We鈥檒l start with a primer on scales, intervals, and basic chordal moves such as the rhythm changes, then progress to chromaticism, modulation,

Kilns and Firing Techniques — CER4203.01

Instructor: Anina Major
Days & Time: WE 2:10pm-5:50pm
Credits: 4

This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development

Language as System and Social Behavior — LIN2101.01

Instructor: Alexia Fawcett
Days & Time: TU,FR 2:10pm-4:00pm
Credits: 4

In this course, students will examine the building blocks which make up the interlocking systems of language and observe how those systems are enacted and granted layers of meaning through social practice. Beyond developing an understanding of the basic mechanics of sound systems, word-meaning relations, and the expression of grammatical values in languages of the world, we

Language Documentation, Revitalization, and Reclamation — LIN4115.01

Instructor: Alexia Fawcett
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

This course addresses the theories, methods, ethics, and actual outcomes of language documentation, revitalization, and reclamation work. Students will examine the causes and consequences of language endangerment, strategies for revitalization, and community-led initiatives in reclaiming linguistic and cultural heritage. Case studies from around the world will

Latin American Art Since Independence — SPA2111.01

Instructor: Jonathan Pitcher
Days & Time: MO,WE,TH 8:30am-9:50am
Credits: 5

Students with little or no Spanish will learn the language through an immersion in Latin American painting. While there will be some discussion of standard tactics such as stylistic nuances and artists鈥 biographies, it is expected that we will rapidly develop sufficient linguistic ability to focus on movements, ranging from the republican art of nation-building in the 19th

Latin American Ensemble — MPF4113.01

Instructor: Michael Wimberly
Days & Time: WE 10:00am-11:50am & WE 2:10pm-4:00pm
Credits: 4

This course will focus on the performance of Latin American music from all over the Americas, including South, Central, and North America, the Caribbean, and beyond. The ensemble will combine hands-on learning of diverse vocal and instrumental repertoire, traditional instruments (particularly percussion), and performance practices. Students will receive a thorough background

Layers upon Lines — MA4313.01

Instructor: Sue Rees
Days & Time: FR 8:30am-12:10pm
Credits: 4

The class will be both looking at abstraction as well as more figurative based work. The class will include a mixture of creating assemblages in a variety of means and materials, and using both digital and analogue means from paint, to sand to animated forms. Objects will be cut out with scissors or the laser cutter, animated

Leaves of Grass — LIT2578.01

Instructor: Franny Choi
Days & Time: TU 2:10pm-4:00pm
Credits: 2

This 2-credit course is an introduction to Walt Whitman鈥檚 Leaves of Grass, which inaugurated a distinctly American free verse by breaking with European formal traditions of poetry. We will read the entire original 1855 version (a self-published volume with only twelve poems) as well as selections from some of the subsequent editions that Whitman published

Letterpress Printing from Metal, Wood, and Photopolymer — PRI4697.01

Instructor: Thorsten Dennerline
Days & Time: WE 10:00am-11:50am & WE 2:10pm-4:00pm
Credits: 4

In this intermediate level course, we will focus on learning letterpress printing within a framework of making visual art. This can be a precision process and it affords a huge range of possibilities for artists who wish to work with multiples and/or use text in their work. It is a rigorous course and each student will develop and design print projects that develop both

Linear Algebra: An Introduction — MAT2482.01

Instructor: Joe Mundt
Days & Time: T/Th 6:30PM-8:30PM
Credits: 4

Together with calculus, linear algebra is one of the foundations of higher-level mathematics and its applications. This is NOT just the algebra you know from high school. There are several perspectives one can take on linear algebra: it is a method for handling large systems of linear equations, it is a theory of linear geometry (including in dimensions larger than three),

Lives of Quiet Desperation: the Transcendentalists vs. America — LIT2420.01

Instructor: Ben Anastas
Days & Time: M/Tu 7:00PM-8:50PM
Credits: 4

In this course we will undertake a comprehensive survey of American Transcendentalism through a close examination of the major writings from this tumultuous period. We will read the major figures (Ralph Waldo Emerson, Margaret Fuller, Henry David Thoreau), as well as a host of lesser known members of the Transcendental Club (Orestes Brownson, Ellery Channing, poet Jones Very

Love in the Time of War — ANT4157.01

Instructor: Marios Falaris
Days & Time: TU 2:10pm-5:50pm
Credits: 4

How does love emerge under conditions of war? This seminar explores what it means to sustain intimate relations in the face of overwhelming violence. Through the Anthropology of Kinship, as well as through methods developed across the fields of Queer Studies, Black Studies, and Postcolonial Studies, this course considers how intimacy and love