Spring 2026

Course System Home Course Listing Spring 2026

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Showing 25 Results of 222

Intermediate Painting: From Practice to Discovery — PAI4405.01

Instructor: J Blackwell
Days & Time: WE 2:10pm-5:50pm
Credits: 4

This course is intended for the student who is looking to build a robust studio practice. Experimenting with materials, techniques, and styles in painting will be encouraged in order to develop an artistic sensibility while instituting regular work habits. Assigned projects and independent work are intended to develop problem-solving as

Intermediate Painting: Ground to Surface — PAI4219.01

Instructor: Beverly Acha
Days & Time: TU 2:10pm-5:50pm
Credits: 4

When you first learn how to paint the focus is typically on gaining facility with the application and manipulation of paint used to articulate the subject. In this intermediate course we will turn our attention to the often overlooked step before we can begin painting: preparing the surface.

Together we will explore

Intermediate Video: Narrative — FV4335.01

Instructor: Jen Liu
Days & Time: TU 2:10pm-5:50pm
Credits: 4

Intermediate Video: Narrative is an in-person course building on the technical skills introduced in Introduction to Video.  Students will be expected to produce technical exercises, as well as longer projects of their own design.  Technical aspects of the course will be balanced with building on methods of narrative filmmaking and moving image discourses on the

Intermediate Voice — MVO4301.03, section 3

Instructor: Virginia Kelsey
Days & Time: MO 3:40pm-5:30pm
Credits: 2

For students with some prior singing experience. This class is designed to refine awareness and coordination of the mind and body and develop a reliable vocal technique applicable to all styles of singing and speaking performance.  <

Intermediate Voice — MVO4301.02, section 2

Instructor: Kerry Ryer-Parke
Days & Time: TH 10:00am-11:50am
Credits: 2

For students with some prior singing experience. This class is designed to refine awareness and coordination of the mind and body and develop a reliable vocal technique applicable to all styles of singing and speaking performance.  <

Intermediate Voice — MVO4301.01, section 1

Instructor: Kerry Ryer-Parke
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 2

For students with some prior singing experience. This class is designed to refine awareness and coordination of the mind and body and develop a reliable vocal technique applicable to all styles of singing and speaking performance.  <

Intro to Maps and Geographic Information Systems — ES2110.01

Instructor: Tim Schroeder
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

This is an introductory course on the theory and practice of analyzing and displaying geo-spatial information. The methods that students will learn have wide-ranging applications in the natural and social sciences. Students will learn how to utilize mapping and spatial geographic information systems software to analyze patterns within spatial datasets and communicate

Introduction to Cancer Biology — BIO2104.01

Instructor: Amie McClellan
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

The cells in our bodies need to grow and divide in order to make new tissue, and to repair or replace damaged tissue.  The processes that govern cell growth and division are tightly regulated. When the cells that comprise the tissues of our bodies lose the ability to properly regulate their growth and proliferation, cancer is the result.  This

Introduction to Counterpoint — MTH2118.01

Instructor: Nicholas Brooke
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

Composers throughout the ages have cut their teeth on the study of counterpoint 鈥 the intricate practice of writing melodies for several voices sounding at once. In this course, we鈥檒l look mainly at 16th-century composers of counterpoint, and sing through pieces from Palestrina to Weelkes, while learning to compose in a variety of practices such

Introduction to Dramaturgy — DRA4281.01

Instructor: Maya Cantu
Days & Time: WE 8:30am-12:10pm
Credits: 4

The dramaturg serves as a powerful medium in the theatre. They bridge the past and the present, the creative team and the audience, while providing critical generosity and historical and literary insight. In this course, we will learn about the history and practice of dramaturgy, while learning how the critical and research skills of the dramaturg can apply to a wide array

Introduction to Intaglio: The Alchemist鈥檚 Print — PRI2111.01

Instructor: Thorsten Dennerline
Days & Time: TU 2:10pm-5:50pm
Credits: 4

his course is an introduction to the magic of copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a

Introduction to Local Sustainable Agriculture — APA2190.01

Instructor: Kelie Bowman
Days & Time: FR 8:30am-12:10pm
Credits: 2

This course explores the broad field of sustainable agriculture. This class consists of a series of field trips, meeting with a cross-section of local producers ranging from traditional organic vegetable farms, mushroom cultivation, livestock, flower farms. Other field trips could include non-profit organizations working on community food insecurity, ecological

Introduction to Video — FV2303.01

Instructor: Beatriz Santiago Mu帽oz
Days & Time: TH 8:30am-12:10pm
Credits: 4

This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-sc猫ne, editing and sound design before producing a final self

Introduction to Viola — MIN2214.01

Instructor: Ariel Rudiakov
Days & Time: TBA
Credits: 1

This course is designed for students with no prior string instrument experience. Admission is on a first come, first served basis. Classes will be one on one, individual lessons.

Daily practice  of 10 to 15 minutes is expected, in order for students to become familiar and comfortable with the basic mechanics of playing viola.

Experience with reading

Kilns and Firing Techniques — CER4203.01

Instructor: Anina Major
Days & Time: WE 8:30am-12:10pm
Credits: 4

This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development

Language, Culture, and Society — LIN2112.01

Instructor: Alexia Fawcett
Days & Time: WE 2:10pm-4:00pm
Credits: 2

This course examines the complex relationship between language, culture, and society through an interdisciplinary lens, incorporating perspectives from linguistic anthropology, sociolinguistics, and discourse analysis. Students will explore how linguistic practices both reflect and shape identities, power dynamics, cultural norms, and worldviews as we cover

Linguistic Field Methods — LIN4116.01

Instructor: Alexia Fawcett
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

This course is designed to equip students with the basic methodologies necessary to carry out linguistic fieldwork with speakers/users of un(der)documented languages. Students will be trained in the skills and tools of language documentation and description by working with a speaker of a language previously unknown to them. Learning and

Malicious Compliance, or The Canterbury Tales — LIT2580.01

Instructor: Manuel Gonzales
Days & Time: WE 2:10pm-5:50pm
Credits: 4

According to "All Englang," Joan Acocella's essay in The New Yorker, Geoffery Chaucer, author of The Canterbury Tales, "was the freshest, clearest, and sweetest of the great English poets." She goes on to say that, living in the 14th century, he was also perhaps the first great English poet. Still. Henry Wadsworth Longfellow wrote of Chaucer that "He is the poet of the

Mandolin — MIN2229.01

Instructor: John Kirk
Days & Time: W 2:00PM-2:50PM
Credits: 2

Beginning, intermediate and advanced group lessons on the mandolin will be offered. Students will learn classical technique on the mandolin and start to develop a repertoire of classical and traditional folk pieces. Simple song sheets with chords, tablature, and standard notation, chord theory, and scale work will all be used to further skills. History of the Italian origins

Meisner Technique — DRA4268.01

Instructor: Jenny Rohn
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

鈥淚f you are really doing it, you don鈥檛 have time to watch yourself doing it.鈥 Sanford Meisner was an actor and founding member of the Group Theater. He went on to become a master teacher of acting who sought to give students an organized approach to the creation of truthful behavior on stage within the imaginary circumstances of a play. This class focuses on

Metric Spaces and Geometry — MAT4162.01

Instructor: Andrew McIntyre
Days & Time: TU,FR 8:30am-10:20am
Credits: 4

Everything is geometry! This class is about two things: first, about how mathematicians have extended the concept of "geometry" beyond triangles and circles, into higher-dimensional spaces, curved spaces, spaces of functions, discrete spaces, and more. Second, about how this extension of "geometry" can allow us to apply our powerful geometric intuition to a wide range of

Minimalism — LIT4608.01

Instructor: Michael Dumanis
Days & Time: WE 10:00am-11:50am
Credits: 2

This course will test the constraints and opportunities offered by brevity, simplicity, and silence. We will consider the very short poem; the sparse, laconic, and/or willfully incomplete fiction, paintings that utilize few colors and brushstrokes, the play that folds in upon itself and goes nowhere, and music that uses only a few notes or moves in an endless circle.